Large Association of Movie Blogs
Large Association of Movie Blogs

Tuesday, July 01, 2008

Thrill-O-Tronic Film Show This Saturday


The producers of the most excellent Thrillville series present The Thrill-O-Tronic Film Show, a Saturday matinee spotlighting wild and crazy content by 'found footage mad scientists' Sci Fi Bob and Psychotronic Paul from the KFJC Psychotronix Film Festival, on July 5 at the Cerrito Speakeasy Theatre.

We will serve up a steaming slice of Psychotronix with high-fat whipped cream blasted from a nifty aerosol can - and a side of Kitschy Americana. After screening way too many miscellaneous film clips and 1950's commercials for my own good, I've concluded that Kitschy Americana is generally used to sell the following: cigarettes, cars, beer and political ideologies.


What: Thrill-O-Tronic Film Show
When: Saturday July 5 at 2:00 p.m.
Where: The Cerrito Speakeasy Theatre

10070 San Pablo Avenue, El Cerrito, CA
Who: Thrillville's 'hosts with the most', Will The Thrill and Monica The Tiki Goddess. And special guests:

Friday, June 27, 2008

Broncho Billy Film Festival At Niles


The Niles Essanay Silent Film Museum, Northern California treasure, mecca for historians, culture vultures and film geeks alike, will present The 11th Annual Broncho Billy Silent Film Festival all weekend, starting this evening.

History, particularly when it involves cross-eyed Ben Turpin falling on his butt, can be fun.

Thursday, June 26, 2008

Mr. Lobo's Surreality Check

Mr. Lobo, "your horror host", wrote this excellent rant as a response to a despairing posting on the Mr. Lobo's Sleepless Knights Of Insomnia message board that decried the noxious effects of Big Media and Big $$$ on culture, and how things have gotten 1000 times worse in the past 15 years.

The major media outlets are never going to put anything ahead of money. We need to let those dinosaurs die and discover and praise those who are making entertainment for the highest rather than the lowest common denominator.

Negativity only turns people off. . . I was unhappy with what I saw on late night TV; I made my own show. There are a lot of us that are part of the solution that doing great culturally positive work that needs support to break through to the mainstream. So often I hear people say..."they don't do it like that anymore" and I want to say--"Well, I do! And a bunch of other artists and producers are, too" They don't want to see what I'm doing because it doesn't fit in with their negative rants and ravings!

Let's take the tip of one iceberg...Last Saturday's Psychotronix Film Fest--a packed house enjoyed tons of classic entertainment for all audiences provided by SciFi Bob, Psychotronic Paul, Scott Moon (publisher of Planet X magazine and the musical mastermind behind Cinema Insomnia music video "Watching TV"), Rob Emmett of KFJC's wonderful "Norman Bates Memorial Soundtrack show" and soundman Austin Space.

  • Ernie "Hardware Wars" Fossellius was there with his DVDs

  • The Queen and I represented Cinema Insomnia

  • Cult Radio A Go-Go covered the event

  • Bill Devers, president of the Indy Film Co-Op and organizer of The B-Movie Celebration was there, as was. . .

  • Will "The Thrill" Viharo, who does Thrillville revival shows at theaters up and down the state

  • Tom Wyrsch, who made the Creature Features documentary

  • KTEH programmer Ken Patterson, who brought endless British Sci-Fi and even groundbreaking Anime to Bay Area TV

  • Filmmakers, musicians, and artists galore who were there who are doing good stuff right now!

We are in a B-cult underground renaissance! I'm tired of hearing everything sucks...everyone I hang out with is doing something super special!

Here with your Surreality Check, now bend over and say ahhh...Mr. Lobo

Monday, June 23, 2008

George Carlin, Standup Philosopher (1937-2008)


I loathe serving as an R.I.P. blog! This week, that most wonderful of satiric shit disturbers, George Carlin, passed away at 71.

Hope George left at least a screed or two of unpublished social criticism, as ferociously scathing as Mark Twain's last writings, behind. Until then, you can rent or - if you're fortunate enough to not have your home in foreclosure during an election year - buy the DVD box set of his standup comedy specials.

In tribute, enjoy this prime clip of George at his razor-sharp and fearless best.




Carlin was certainly among the best of, to steal a term from Mel Brooks, the "standup philosophers". For an example of pure linguistic prowess:




Last week: the greatest, coolest, sexiest female dancer in the history of movies, Cyd Charisse, shuffled off the mortal coil at 86. Here she is, kicking ass in Vincente Minnelli's 1953 film The Band Wagon. I've watched this more times than countless fanboys have seen Star Wars or Star Trek: The Wrath Of Khan.


Both, fortunately for us still wandering around on this planet, left ample evidence of their artistry. . . evidence that can definitely help a person get through some of the rough spots in this earthly trip we share.

I'm toasting both of 'em tonight, baby.

Friday, June 13, 2008

The Psychotronix Film Festival Returns Yet Again, Against Our Better Judgment



For over 15 years, the KFJC Psychotronix Film Festival has presented a film archivist jam session.



The visual music (cacophony?) draws from a wide range of oddly tuned instruments: unintentionally hilarious 1950's commercials and "educational" films, the most bizarre obscure classic cartoons, trailers from the worst movies, double-entendre packed Pre-Code goodies, the cheapest international monster movies, the campiest musical shorts, the most surreal silent movie clips and TV programs that aired once or should never have aired. We don't know what riff we'll play until the show is underway.




We'll be back with another freewheeling improvised program of questionable entertainment on Saturday, June 21.



If you are between the South Bay Area and just south of San Francisco, you can hear us jabber about the festival (A.K.A. attempt to explain something than defies rational
explanation), on KFJC 89.7 FM at 6:00 p.m. this very Monday evening, June 16.

Radio personality Robert Emmett of "The Norman Bates Memorial Soundtrack Show" hosts the festivities. Our special guests: direct from TV's Cinema Insomnia, horror host Mr. Lobo and The Queen Of Trash.

Alas, the fabled Room 5015 is slated for major remodeling shortly, so it may be a little while before our next fundraiser for KFJC. We'll give 5015, site of 35 Psychotronix Film Festivals, a fitting sendoff.




What? The KFJC Psychotronix Film Festival

Where? Room 5015, Foothill College campus, Los Altos Hills, CA (El Monte exit off of Highway 280)
When? Saturday June 21, 7:00 to 11:30 PM
Why? We give away a menagerie of cheap door prizes at intermission!



While showtime is 7:00 p.m., get there early - these shows sell out.

Thursday, June 12, 2008

The Next Philosopher Guru by Paul F. Etcheverry

Found scribbled on lined stationery in the back of a cab in Trenton, New Jersey, the wise words of Al Confucius Johnson, philosopher, beer drinker.

"Before you embark on a journey of revenge, make a sandwich."

"I am not one who was born in the possession of knowledge. I am one who is in possession of a 1971 Archie, Jughead and Veronica comic."

"Ignorance is the night of the mind, but a night involving more than six tall boys of Mickey's Big Mouth."

"I hear and I forget. I see and I forget. I do and I forget. I go to the bathroom and I forget. I forget and I forget."

"If you find your place in the world, make sure there's a bathroom nearby."

"Respect yourself and others will still tell you to commit physically impossible sexual acts."

"He who exercises government by means of his virtue will not get any campaign contributions."

"He who wears his heart on his sleeve will end up with bloody shirt-sleeves and some explaining to do at the dry cleaners."

"He who feels connected to all beings must always remember to wear pants."

Friday, May 30, 2008

Good Advice by Paul F. Etcheverry

In a moment of sleep deprivation and, admittedly, bad habits-induced insecurity a couple of weeks back, I perused the Internet for 'advice'. My quick reaction: DON'T EVER DOOOOOOO THAT (in the immortal words of mid-1930's radio comic Joe Penner).

The relationship advice was the worst - and I fled the computer in complete disgust before even getting to the men's and women's magazines of the world. The gist of the online drivel was:

  • "Conceal who you really are - never speak openly and candidly about anything - to get what you want."

  • "Be somebody else to get what you want."

  • "Dumb down - be a stupid shit to get what you want."

  • "Do - or don't do - these specific things to manipulate that next person into having a mindless, drooling, brain-dead crush on you (A.K.A. play these games to get what you want)."

  • "Give us your credit card number, and those of all your family members and business associates - and we'll give you the secret to attracting what you want in forty-six easy-to-digest lessons."

  • "Make that person jealous to get what you want. Say you're wildly, insanely attracted to somebody else and keep rubbing it in, over and over, until you see the hurt bleeding from their eyes."

  • "Become anorexic or get liposuction so you'll get what you want".

  • "Break into an understaffed morgue, steal a handsome head and get it surgically attached. Or find an unattended extra-large mammal and whack its member off. . . or better yet, determine exactly where the pickled preserved penis of John Dillinger is located - and have it surgically attached, so you'll get what you want."

  • "Guys, get a French maid outfit, wear it with pumps, apply Day-Glo ultramarine shadow, dance your best version of 'The Macarena' and sing 'There's No Business Like Show Business'. She'll go nuts and give you what you want."

  • "Hollow out a pumpkin, carve a face resembling Nikita Khrushchev or Tor Johnson on it, put it on your head, then pull your trousers or capris down to your ankles so you don't walk very well - and get what you want."

  • "Cut your losses and bail if you don't get what you want all the time."

  • "Hire someone to help you cope with crushing guilt over getting what you want."

Monday, May 26, 2008

Private Snafu

For Memorial Day, here are some classic WWII propaganda-toons, starring the hapless Private Snafu. These cartoons were produced for The Army-Navy Screen Magazine by the Warner Brothers gang, joined by future children's book icons Ted "Dr. Suess" Geisel and Phil Eastman.








Tuesday, May 20, 2008

Burt Bacharach Day

Finally, clips from the Burt Bacharach - Elvis Costello collaboration have made it to youtube. It's a good combination: Burt's melodies and harmonies with pungent, hard-hitting lyrics by Elvis.


Costello's lyrics, for me personally, are right on; I have difficulty relating to the more sentimental (and also at times masochistic) lyrics of Hal David. Anyone who has lived through the experience of this tune, "The House Is Empty Now", can certainly relate.

Friday, May 16, 2008

Clip Of The Day: Reg Kehoe And His Marimba Queens

Watch the bass player in this Soundie - and wonder if these could be transgender marimba queens. . .

Tuesday, May 06, 2008

It's Trad, Dad a.k.a. Riffin' With Red Allen

Trad, dad, 1920's style, performed in the 50's by an all-star band including Kid Ory (among the first New Orleans innovators to record this music), Henry "Red" Allen, Jack Teagarden, the legendary Lil Hardin-Armstrong, Gene Krupa and more, still sounds . . . wonderful.



Since I just can't get enough with one truncated clip (hey, if you know where the rest of the Teagarden-Allen-Krupa performance is, point me to it - can't find it on YouTube or Daily Motion), here's another one: "Red" Allen's blues-drenched trumpet solo and vocal on St. James Infirmary.



OK, that's not enough. I want more! So here's some ecstatic swing. Red sings Earl Hines' Rosetta, backed by Coleman Hawkins (tenor sax), Pee Wee Russell (clarinet), Vic Dickenson (trombone), Rex Stewart (cornet), Milt Hinton (bass) and Jo Jones (drums).





Tuesday, April 29, 2008

Happy Birthday, Duke Ellington

Today, we raise our half-filled glasses to Duke's six decades in music. Then we drain them listening to his music. There are so many great clips of Duke and his orchestra, I couldn't even begin to post all of them. Here's a rare one: the incomparable composer/arranger Billy Strayhorn plays with the band and solos on "Take The A Train".


We follow this with "The Hawk Talks" from 1955. Louis Bellson kicks serious derriere with a cool drum solo, giving Gene Krupa and Buddy Rich a run for their money.


The showman on the trumpet is the marvelous multi-instrumentalist Ray Nance. . . yes, the same Ray Nance who turns up playing swinging jazz violin alongside Stefane Grappelli and others.

Next up, a slice of living history: Duke and his orchestra in Symphony In Black, one of a series of artfully photographed one-reelers produced by Paramount Pictures in 1935. It features a very young Billie Holiday, singing beautifully in the role of a woman brutally scorned by an ex-lover mean enough to give Pollyanna the mood indigo blues.



And here's Sophisticated Lady featuring the great Harry Carney on baritone sax:



And now I must listen to that Ellington Uptown CD. . . Thanks for all that amazing music, Duke!

Monday, April 28, 2008

Follow The Bouncing Ball

By all means, forget your tribulations and sing along through this Fleischer Screen Song cartoon, Kitty From Kansas City, co-starring Betty Boop and Rudy Vallee.

Thursday, April 24, 2008

One Great Psychotronic Fleischer Cartoon Deserves Another


Betty Boop's Museum (1932)

Ready for a cartoon starring horny statues and skeletons? Well, the skeletons are hornier in a 1934 Krazy Kat cartoon in which a gay skeleton, dancing with Napoleon, cops a feel on Nappy's rear - but this still fills the bill. One of those great inexplicable cartoon moments comes when a skeleton (with a Bluto voice) points at Betty and demands "SING!"

About that Krazy Kat cartoon. . . one of the perpetrators of that classic gag (maybe he animated it) was the great Manny Gould, a few years before contributing fabulous animation to Warner Brothers for. . . guess who, Bob Clampett!

Tuesday, April 22, 2008

Another Great Psychotronic Cartoon

This truly psychotronic (psychoactive?) cartoon, Betty Boop in Mask-A-Raid, epitomizes everything I love about the Fleischer Studio, circa 1930-1933.



I consider the part (at 2:43) when two "Mickey Rat" characters behind huge weird masks sing sublime gibberish right up there among the greatest moments in the history of world cinema.

Sunday, April 20, 2008

Burt Bacharach Day

Here's Dionne Warwick, making the art of vocalizing look easy in a French Scopitone from 1964.

Monday, April 14, 2008

My Favorite Star Of 1930's Comedy Shorts


With the wonderful Thelma Todd, his frequent co-star in 1929-1931.



In a hilarious scene from Sons Of The Desert (1933), with my all-time favorite comedy team, Stan Laurel & Oliver Hardy.




Charley Chase, a.k.a. Charles Parrott, was an inspired and unique writer/director/comedian whose comedy has weathered the test of time quite well. The silent-era comedies he co-directed and wrote with Leo McCarey are certainly among the funniest ever made.










Consider the following Charley Chase storylines:

  • Mighty Like A Moose - Charley and his wife, both bucktoothed and grotesquely ugly, get plastic surgery without telling each other, meet by chance and have an affair.
  • Limousine Love - Charley's car runs out of gas on the way to his wedding. While he's walking to and from the gas station, the married yet nubile Mrs. Glenders falls in a mud puddle, then ducks in Charley's car to change clothes. While her clothes - all of them - are outside the car, Charley blithely jumps in and drives off!
  • His Wooden Wedding - A sleazy rival for Charley's fiancee hands the affable but gullible Chase a handwritten note that says "beware - your wife to be has a wooden leg." One truly bizarre chain of events ensues.
  • Whispering Whoopee- Charley needs to seal a real estate deal with three out-of-towners, so he rents a hotel suite and hires three hookers. The out-of-towners turn out to be the three stodgiest stuffed shirts imaginable.






Chase also has a certain mixture of amused aplomb and sheer outrageousness that makes him more akin to the likes of Peter Sellers and John Cleese than to his contemporaries.



Many of his best films were made with actress and comedienne Thelma Todd.



The duo were the equivalent of a comedy team in their many appearances together in 1929-1931.



I extend profound tips of the Jimmie Hatlo hat to documentary filmmaker Robert Youngson (whose work introduced me to countless comedy greats), film historians, archivists and collectors who have kept Charley Chase's memory alive all these decades after his passing.







Deserving special mention: Yair Solan, webmaster of the Charley Chase website and filmography; author/historian Leonard Maltin, for his key efforts in bringing attention to Chase's formidable comedic legacy.



Kudos, bravos and huzzahs go to Turner Classic Movies for broadcasting many superb Hal Roach Studio 2-reelers starring Chase and other great comedians.







TCM has made it possible for new generations to discover one of the great comedians and comedy creators.



Charley had a couple of theme songs in his Hal Roach films. Here's one he sang in a few of his films; it's appropriate not just to life in general, but to the offscreen lives of so many who made us laugh.





Smile when the raindrops fall, dear.
Smile til the clouds roll by.
Just remember that I love you
Though dark is the blue, blue sky.
Dark clouds will fade away, dear
Soon pass beyond recall.
So just smile at the skies
With those big smiling eyes

Just smile when the raindrops fall.

Smile When the Raindrops Fall © W.A. Quincke and Co. (1930)


Saturday, April 05, 2008

Happy 100th Birthday, Bette Davis

Born 100 years ago today: the legendary Bette Davis, a silver screen tidalwave-tsunami-tornado with unpredictability, nuance, and subtlety.

Check out Bette as Margo Channing (no damn fool, that's for sure) in this clip from All About Eve:



Here are excerpts from a stellar Turner Classic
Movies
documentary about the driven, versatile, creative, innovative and fearless La Bette.






Dick Cavett did a great interview with her. Enjoy these two excerpts:





Palo Alto's Stanford Theatre just kicked off a Davis retrospective, which will include 35mm archival prints of her 1930's Warner Brothers pictures. Among her co-stars: everybody from movie icons Jimmy Cagney and Humphrey Bogart to such lesser known but wonderfully over-the-top actors as Warren William.

Bette Davis was the screen acting equivalent of a big-league pitcher who could blow you away with a fastball, then throw a knee-buckling curve, devastating change-up and vicious slider. . . put them all exactly where she wanted and change speeds on all of 'em.

Sunday, March 30, 2008

More Jazz

Tonight's selection: some seriously propulsive hard bop featuring Archie Shepp, tenor saxophone; Ken Werner, piano; Santo di Briano, bass; John Betsch, drums.



Here's more le jazz hot with the Archie Shepp Quartet (Massimo Farao - piano, Wayne Dockery - bass, Bobby Durham on drums) from an October 2002 appearance in Paradiso Perduto, Venice.

Saturday, March 22, 2008

Tonight - March Madness Psychotronix Film Festival

We're baaaaaaack. . .

For you KFJC Psychotronix Film Festival recidivists - and you know who you are - we return to the infamous Room 5015 of Foothill College in Los Altos for yet another hit of bad pop culture acid tonight! While the show starts at 7:00 pm, get there early, as we, like The Who in 1967, 'sell out'.

March Madness KFJC Psychotronix Film Festival
Room 5015, Foothill Community College campus, March 22, 7:00 to 11:30 PM
Bring five bucks for admission and two bucks for hungry campus parking meters

For more info: check out the following blurbs that preceded last December's holiday abomination:

San Jose Metro

Website of KFJC 89.7

Tuesday, March 11, 2008

Big Eyed Beans From Venus

Some folks like the syrupy smarm of Kenny G - just why I don't know! Mr. Blogmeister likes Captain Beefheart.



Don Van Vliet, a.k.a. Captain Beefheart, merged protean elements from a dozen musical genres and collaborated with the brave musicians of his Magic Band to create brilliant, uneasy, startling, seething, challenging, jagged, complex, melodic while cacophonous, polyrhythmic, powerful and most of all, original music from 1965 to 1982; at that point he abandoned the pothole-filled roads of showbiz - in the Captain's words, "there ain't no Santa Claus on the evening stage" - to pursue a less stressful (and very likely much happier) career as a visual artist.



The Revenant Records five-CD Beefheart box set, Grow Fins, compiles amazing aural artifacts while including a 112 page history of The Cap'n And The Magic Band which is better and stranger than fiction.







Here's the excellent 1997 BBC documentary on this innovative auteur of paint, pencil and sound.




We shall close with a few paintings by Mr. Van Vliet. The same imagination, boldness and originality rampant in his music animates his work on canvas. There's a approach to color unlike anyother visual artist.










Wednesday, March 05, 2008

Another Under-rated 1960's Rock Band

Behold, Peter Green's Fleetwood Mac, the quintessential British rock-blues-psychedelia powerhouse - Peter Green, Danny Kirwan, Jeremy Spencer, John McVie (electric bass) and Mick Fleetwood (drums) - in their brief blaze of glory in 1968-1970.













When members of Peter Green's Fleetwood Mac appeared as special guests, along with Berry Oakley, Duane and Gregg Allman from The Allman Brothers Band at a Fillmore East concert headlined by the Grateful Dead on February 11, 1970. . . HOO-BOY!!!

Sunday, March 02, 2008

Sonny Sharrock (1940-1994)

As an answer to the dare, "name a virtuoso electric guitarist not named Jimi Hendrix", here's a clip of Sonny Sharrock, from a 1988 Knitting Factory performance.

Monday, February 25, 2008

Steve Lacy (1934-2004)

Wishing to answer the question, "what music clip would be the most opposite of Trintje Oosterhuis singing Burt Bacharach & Carole Bayer Sager's awfully sappy but lovely That's What Friends Are For?", my uncontrollable muse responds with reflections of a favorite jazz musician, the great Steve Lacy.

Lacy was a true maverick and giant among giants of jazz, as well as my favorite soprano sax player - Bechet, Sam Rivers, Wayne (Shorter) n' Coltrane not withstanding.



Steve was also one of the finest, most contemplative interpreters of the music of Thelonious Monk and the less known but equally amazing Herbie Nichols; last time I heard him in person, he explored the amazing architecture of Monk's music with the great Mal Waldron on piano.

Here he is, circa mid-1980's, supported by one of his best bands, featuring:



  • Steve Potts - alto sax

  • Bobby Few - piano

  • Irene Aebi (Mrs. Lacy) - violin and vocals

  • Jean-Jacques Avenel - upright bass

  • Oliver Johnson - drums





We speak Jazz here.



Wednesday, February 20, 2008

Burt Bacharach Day



Trintje Oosterhuis sings The Look Of Love and That's What Friends Are For.

Monday, February 18, 2008

A Trip To The Comedy Museum

Want a mind-bending experience? Jumping out of airplanes? For amateurs. Trendy designer chemical amusement? Strictly for pikers. Try spending three days in the bizarro universe of prehistoric film comedy. I just willingly did this for the third year in a row, and trust me, my mind is bent.

I am describing the annual Presidents' Day weekend Mid-Winter Comedy Festival at the
Niles/Essanay Silent Film Museum, a wonderful and historic venue. The museum's Edison Theatre was built as the town nickelodeon way back in 1913, when "Broncho Billy" Anderson was cranking out westerns down the block.

The fest
runs the gamut from the iconic (Chaplin, Keaton) to the obscure (Eddie Boland). It's a bonanza for students of comedy.

The festival reinforced several conclusions on my part:
  1. The Hal Roach Studio rules. Sorry, Mack Sennett. Sorry, Jack White.


  2. No silent comedy short outside the 'polite drawing room farce' category is more than one degree of separation from The Three Stooges, even if Bud Jamison or Vernon Dent does not appear in it.


  3. Subtle acting seals the deal, even in slapstick. The best comedians get laughs with expertly timed expressions before and after the joke. And the comics who don't do this are often the ones who missed the brass ring of fame.


  4. If, well into the comedy short, you hear audience members asking who the star of the film is. . . it features one of the most forgotten of comics.


  5. If a brazen fur-bearing scene stealer is way more memorable than the star, the featured comic is only known by historians.


  6. Real lions and elephants are way funnier than CGI lions and elephants.


  7. Since comedy, like romance, is highly subjective, don't take any review seriously, even by the most reputable writers. Watch the film instead!

The fest offers an off-kilter nirvana for comedy buffs and film historians - and there were lots of them in the house for all three days of this event.

Thursday, February 14, 2008

What (No - I Mean WTF) Is This Thing Called Love?


Painting: "Love Hurts" by Joe Zona

"Maybe I wanted to hear it so badly that my ears betrayed my mind in order to secure my heart." Margaret Cho

"We're not meant to be - see." Herbie Nichols

"Love is like a faucet. It turns on and off." Billie Holiday

"The object of my affliction." Anonymous or Norm Crosby

Dear reader: This is my homage to Valentine's Day, a consumerist holiday that excludes hordes of humanity - and even ardent, passionate lovers lacking that do-re-me - if there ever was one.

In my experience, relationships in real life happen SLOOOOOOOWLY; slower as you get older - and tortuously slow when you have not been with anyone in a very long time. The issues of how you convey to a new person in your life that you love and care for them, how you deal with doubts and each other's idiosyncracies, how to differentiate between what's real and what's strictly static (i.e. something you or your friend/partner may be feeling physically or emotionally in a given moment that has nothing to do with the relationship) are not easy. Relationships? Not for cowards.

I wrote the original version of this last March, just after losing my job, my place to live and all hope of finding even a badly bruised valentine.

Well, it's almost a year later and these days, I'm significantly more mellow, realizing that things worked out at least okay after all. Most of the setbacks led directly to good things.

And while I wax snidely and cynically, don't believe for a heartbeat that I would pass up an opportunity to offer something floral, sumptuous and beautiful for the fetching woman companion I fancy most, just to see her smile.


"What Is This Thing Called Love?" is the title of a timeless standard, recorded by the giants of 20th century music: Art Tatum, Frank Sinatra, Ella Fitzgerald, Clifford Brown, you name 'em. It's also a question that your at times humble correspondent absolutely cannot answer.

So what is this thing called love? I have no freakin' clue. I'm like about 50% of the public; past attempts at 'love and marriage' have traditionally either aborted gruesomely, ended abruptly, or crashed and burned like The Hindenburg, no survivors, baby - but, like the genteel and refined "Jimmy The Gent" Conway in GoodFellas, I'll take a whack at it . . .

When I speak of love here, I do not mean infatuation (aptly described in the 1960's ditty by The Temptations: "it was just my imagination running away with me"), momentary sexual or emotional fireworks, or deeper yet fleeting connections between people. All of the above - all of it - comes and goes.

Close relationships are not for the faint of heart; the real thing strikes abject terror into our souls. The very hint of love makes publicly stout-hearted men and women quake in their cowboy boots, tennies, high heels or Gucci shoes! It's the scariest, the riskiest, most daunting and brutally intimidating of all those terrifying motherfuckers, messing with your thought and behavior patterns whether you want it to or not.

If the genuine item - directly from considerable meaningful interaction between two people, tangible and mutually supportive, reality-based - looks like a possibility, start a betting pool predicting just when one or both potential partners do everything in their power to screw it up, make the other person have second thoughts or go away. And if the intrepid pair have previously seen long-term relationships tank, make all this exponential!

Did I learn anything from my past experiences? Just common sense stuff we all know but have difficulty practicing. First and foremost, if you don't take care of the precious sapling, it dies, kind of like those lil' turtles you'd bring home in elementary school. Needs TLC, just like your pet or house plant - and, indeed, this also applies to close friendships and family.

Yes, love dies - I've seen it happen - and here are a few surefire ways to annihilate it!

  • Give of yourself to get something in return (guys, I know this is a tough one, but trust me, no good ever comes of this).


  • Abuse the person you're with - or take abuse - and it's beyond all over - rigor mortis has set in.

  • Apply tons of unrelenting energy into steering that relationship towards a specific outcome, one way or another. Keep your mind resolutely closed to anything but the outcome you want. That will kill it, every time.

  • Obsess about the relationship. You want it? Want it badly? Does the one you love know you want that close connection desperately, even if the desire is unspoken (and even when a deep connection actually exists)? Find yourself obsessing even more when your would-be paramour resists and avoids you? Then it's definitely a done deal, oversville - time to move on, pronto, and absolutely not do the exact same thing with the next person.

  • Always want more! The more you expect, the more you demand of your beloved, the more you crave, the more you fantasize, the more specific conditions you have, the more you must have to be happy, the more likely you will not just destroy what may have started as a wonderful love, but absolutely obliterate and demolish it, kill love dead, stone cold dead. The harder you grasp, the more likely you will crush that love in the palm of your hand..

Timing and that inexplicable thing called karma, which you just can't make happen, are always of the essence; you're either both ready to take the plunge or you're not. And sometimes the planets just aren't aligned for you, even when the relationship is the real deal, wondrous and supportive, a thing of beauty. The reality, not just that it isn't your time, but that the two of you, as magical as your time together may be, just aren't meant to be a couple or have a life with each other - can be difficult to accept, but there is no other choice.

Can you accept such realities, or the end of a long-term relationship, or a special someone's baffling inability to reciprocate by trying Socratic Inquiry techniques or the "four simple questions and a turnaround" method developed by author Byron Katie ( a.k.a. ways of examining your opinions about and internal reactions to life events)? I have serious doubts. Maybe it's possible to make a little smidgen of progress with these methods - and maybe it's not. Healing sure as hell doesn't come fast or easy, although there are certainly worse ways of coping, such as embracing a program of assured self-destruction, signing up with the French Foreign Legion or joining a cult.

The Zen masters insist that "we are love" - but are we? Ideally, yes - but only ideally. At times humanity can be shining examples of such a thing. While it may be due to destructive thinking and attitudes (which in many cases can be dealt with), the bottom line remains that so many human beings are much more inclined to flee from love, torch it or chase it away with a baseball bat than practice it.

Then again, let's drop the subject altogether and listen to those swingin' cats who recorded that great standard right now! And I promise to return to the pet topics of this blog - classic movies, comedy, animation and music clips - after listening to that fantastic version of What Is This Thing Called Love? on Frank Sinatra - In The Wee Small Hours. Really!


Monday, February 11, 2008

The Pampered Soulless Honky's Guide To Singing The Blues

Here's an item that has circulated around the web for awhile. I have no clue who started it. Every time it goes around, another latte-swilling honky would-be writer (I plead guilty) tweaks with the copy. I encourage readers to do the same.

HOW TO SING THE BLUES
by Lame Mango Washington (attributed to Memphis Earlene Gray with help from Uncle Plunky, revisions by Little Blind Patti D. and Dr. Stevie Franklin, with a few tweaks by Lazy-Eye Raspberry Kennedy and Phat Lemon Johnson)

  1. Most Blues begin, "Woke up this mornin'.


  2. "I got a good woman" is a bad way to begin The Blues, unless you stick something nasty in the next line, like "I got a good woman, with the meanest face in town."


  3. The Blues is simple. After you get the first line right, repeat it. Then find something that rhymes ... sort of: "Got a good woman - with the meanest face in town. Got teeth like Margaret Thatcher - and she weigh 500 pound." Well, not that rhyme.


  4. The Blues are not about choice. You stuck in a ditch, you stuck in a ditch; ain't no way out. Unless you're the 43rd President Of The United States.


  5. Blues cars: pre-milennium Chevys and cigarette-stained Caddies, broken-down trucks. The Blues don't travel in Volvos, BMWs, or Sport Utility Vehicles. Most Blues transportation is a Greyhound bus or a southbound train. Jet aircraft? State-sponsored motor pools? Ain't even in the running. Walkin' plays a major part in The Blues lifestyle. So does fixin' to die.


  6. Teenagers can't sing The Blues. Most of them ain't fixin' to die yet. Adults sing The Blues. In The Blues, "adulthood" means being old enough to get the electric chair if you shoot a man in Memphis.


  7. The Blues can take place in New York City but not in Hawaii or any place in Canada. Hard times in St. Paul or Tucson? Just depression. Chicago, St. Louis, and Kansas City? Still the best places to have The Blues. You can't have The Blues in any place that don't get rain.


  8. A man with male pattern baldness ain't The Blues. A woman with male pattern baldness is. Breaking your leg skiing is not the blues. Breaking your leg cuz an alligator - or a scorned lover - chomped it is.


  9. You can't have The Blues in an office or a shopping mall. The lighting is wrong. Go outside to the parking lot or sit by the dumpster. No, make that in the dumpster, way in.


  10. Good places for The Blues:
    a. highway
    b. jailhouse
    c. homeless shelter
    d. empty bed
    e. no bed
    f. bottom of whiskey glass #17

    Bad places for the Blues
    a. ashrams
    b. gallery openings
    c. Ivy League institutions
    d. golf courses
    e. $1000/plate fundraisers


  11. No one will believe it's The Blues if you wear a suit, 'less you happen to be an older person who remembers the Great Depression, doesn’t resemble Richard Simmons - and you slept in it the past three nights.


  12. Do you have the right to sing the Blues?
    Yes, if:
    a. you're older than dirt
    b. you're blind. . . and older than dirt
    c. you shot a man in Memphis. . . and you’re older than dirt
    d. you can't be satisfied, ever

    No, if:
    a. you have all your teeth
    b. you were once blind but now can see
    c. the man in Memphis lived and makes big bucks via infomercials
    d. you have a retirement plan or trust fund.


  13. Blues is not a matter of color. It's a matter of bad luck. Tiger Woods cannot sing the Blues. Gary Coleman could. Ugly white people also got a leg up on the blues.


  14. If you ask for water and Baby give you gasoline, it's the Blues. Other acceptable Blues beverages are:
    a. wine – must cost less than “two-buck Chuck”
    b. whiskey or bourbon – single-malts do not count
    c. muddy water
    d. black coffee – NOT from Starbucks

    The following are NOT Blues beverages:
    a. mixed drinks
    b. Manischevitz
    c. Diet Snapple
    d. Perrier
    e. SlimFast
    f. Decaf latte with soy milk


  15. If it occurs in a cheap motel or a shotgun shack, it's a Blues death. Stabbed in the back by a jealous lover is another Blues way to die. So is the electric chair, substance abuse, and dying lonely on a broken down cot. You can't have a Blues death if you die during a tennis match or getting liposuction.


  16. Some Blues names for women:
    a. Bad Luck Bessie
    b. Fat River Dumpling
    c. Big Bloody Mama
    d. Sadie Da Man Killa


  17. Some Blues names for men:
    a. Joe
    b. Willie
    c. Joe Willie
    d. Little Willie
    e. Big Willie
    f. Joe Bob Willie (country blues)


  18. Your name Sierra, Sequoia, Amber, Rainbow, Heather, Brittany, Muffy or Buffy? You can't sing The Blues - no matter how many men you shot in Memphis.


  19. Make your own Blues Name (starter kit):
    a. name of physical infirmity (Blind, Cripple, Lame, etc.) OR

    b. acceptable first name (see above) or name of fruit (Lemon) PLUS

    c. last name of U.S. President (Jefferson, Johnson, Fillmore, etc.)

    For example, Big Mama Washington, Joe Willie Nixon, Blind Apple Jefferson, Jakeleg Lime Johnson, or Cripple Kiwi Fillmore. (Well, maybe not "Kiwi.")


  20. I don't care how tragic your life is: you own a computer, you cannot sing The Blues. You best destroy it. . . by spilled fifths of Mad Dog and/or Wild Turkey, a crack pipe-induced fire or a sawed-off shotgun.