Whatever modest snippet of humanity reads this blog very likely not only knows the legend of innovative and outrageous animator Frederick Bean "Tex" Avery, born in Taylor, Texas on February 26, 1908, but owns DVD copies of every cartoon he directed for Warner Brothers and MGM. That said, if you happen to stumble upon here in those rambling cyberspace travels and have a bit of free time, enjoy this fine documentary about Tex - a cinematic comic genius if there ever was one - produced by John Needham for TBS in 1988.
Friday, February 26, 2010
Happy Birthday, Tex Avery
Posted by Paul F. Etcheverry at 12:18 AM No comments:
Labels: classic cartoons, classic movies, film history
Thursday, February 25, 2010
The Pinewood Dialogues
If you enjoy reading or listening to interviews with film and animation artists, check out the Pinewood Dialogues in the Museum Of The Moving Image
Posted by Paul F. Etcheverry at 1:33 PM No comments:
Labels: film history, interviews
Wednesday, February 24, 2010
Stan Getz And John Coltrane, Dusseldorf, 1960
Indeed, they are playing together! With Oscar Peterson (Piano), Paul Chambers (bass) and Jimmy Cobb (drums).
Posted by Paul F. Etcheverry at 12:34 AM No comments:
Labels: jazz, music history
Sunday, February 21, 2010
Saturday, February 20, 2010
Burt Bacharach Day
Posted by Paul F. Etcheverry at 8:41 AM No comments:
Labels: Al Cohn, jazz, music history, Zoot Sims
Thursday, February 18, 2010
Ladies And Gentlemen, The Fabulous Zoot Sims
Posted by Paul F. Etcheverry at 9:44 AM 2 comments:
Labels: jazz, music history, Zoot Sims
Saturday, February 13, 2010
Big Fun In The Comedy Way-Back Machine
After producing the much-enjoyed Pre-Code Follies with the fabulous Kitten On The Keys at the Edison Theatre last weekend, I'm back at Niles to attend the three-day Midwinter Comedy Festival. Historian Richard Roberts, who produced the Slap Happy Comedies series - which ran on PBS (that is, if your local PBS station is any good) - presents the equivalent of a Slapsticon West at Niles every February. As a certified - and certifiable - comedy, classic film and history geek (who probably needs to join a 12-Step program for such things) I find the programs lots of fun and never less than fascinating; the extensive program notes, by Roberts and his co-godfathers from The Silent Comedy Mafia, are most informative and a pleasure to read.
Last night's show spotlighted both very early and not-so-early talkies - and emphatically demonstrated that such inspired comedians as Buster Keaton, Harry Langdon, Charley Chase and Lloyd "The Poor Soul" Hamilton kicked ass even when their personal lives and physical health were a shambles - while much of the rest of the weekend will focus on exceptionally rare silents. Today's screenings encompass funmakers ranging from reknowned to unknown, include a rare short subject starring the talented silent screen comedienne Alice Howell, a feature film starring the ever-dapper "silk hat slicker" Raymond Griffith, as well as a selection of little-seen gems from the Hal Roach Studio (a.k.a. "The Lot Of Fun").
That said, film buffs, historians and comedy fans: I'll see ya at The Edison Theatre.
Posted by Paul F. Etcheverry at 10:06 AM No comments:
Tuesday, February 09, 2010
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