“To stay a whole weekend with Pete … was my idea of glory and paradise combined.” Jackie Cooper
“He was a gentle, playful and warm dog. He would sleep at the foot of my bed. He was just the regular family dog. I really miss him.” Harry Lucenay
“May his dog star never fade!” Roadside America.com
Today's post is our contribution to the 2016 Animals In Film Blogathon, hosted by In The Good Old Days Of Classic Hollywood. For the entire group of blogathon entries, click here.
We are very happy to participate and tip that battered cap - can't remember if it was worn by Mickey Rooney in National Velvet or Stablemates - to Crystal Kalyana Pacey, the Animals In Film blogathon host, journalist and prolific writer about all things classic movies.
Today's post profiles the Ian McKellen, the Patrick Stewart, the Larry Olivier, the John Barrymore of canine thespians - although (actually) that would be several dogs - screen immortal Pete The Pup of the Our Gang comedies a.k.a. The Little Rascals.
The Our Gang comedies, at least until producer Hal Roach sold the rights to "the big studio" A.K.A. behemoth monolith Metro-Goldwyn-Mayer, bringing ruination, devastation and Janet Burston to the series, were more often than not 20 minute masterworks.
Since we penned a post for a previous blogathon about Gale Henry, who enjoyed a lengthy career as the trainer of top canine talent (including the beloved Asta) after appearing in 268 films as a comedienne and character actress, it seems fitting that the topic du jour for the Animals On Film Blogathon is these Top Dogs from Our Gang (a.k.a. The Little Rascals, Hal Roach's Rascals).
Pete was hardly the first "Dog Star". There were many predecessors, especially the masterful co-star of Chaplin's A Dog's Life and Keystone's canine action heroes Luke and Teddy.
In many respects, the prototype for what would later be seen with Pete in Our Gang was done with great success by Charlie Chaplin in his wonderful A Dog's Life, in which The Little Tramp scrounges for sustenance with the remarkable Scraps the dog. Almost 100 years later, there's not a dry eye in the house whenever it flickers across the big screen. That Charlie knew how to get a laugh and tug on the heartstrings!
Luke could be considered the canine Chaplin and "dog in demand" at Mack Sennett's Fun Factory, where he supported studio headliners Mabel Normand and Roscoe "Fatty" Arbuckle with athleticism, boundless energy and great charm.
Arbuckle took such a liking to the amazing athletic canine that Luke was among the group from Keystone to also appear in his subsequent Comique series.
And then there was the gigantic Keystone Teddy, who very likely weighed more than most of the leading ladies and some of the leading men at Sennett.
It could be argued that the funniest dog ever was another Sennett star, Cameo - a comedienne and Miss Cameo to you. Here's Cameo, alongside the perpetually non-plussed Billy Bevan in a hilarious Mack Sennett comedy.
Before ending up as Our Gang's ever-intrepid mascot, Pal the Wonder Dog made quite a few appearances with the top comics of the silent screen. There's a memorable cameo in the Harold Lloyd gridiron epic The Freshman as well as the following turns in two films by a pre-L&H Stan Laurel.
More importantly, Pal then was the driving force of Dynamite Doggie, one of the quintessential classic comedy shorts of the silent era. The headliner? The prolific, rubber-legged and quadruple-jointed silent comedy perennial Al St. John. The director? No great surprise - Al's uncle and former co-star (from the Mack Sennett Studio and Comique Productions) Roscoe Arbuckle. Tough to say who is the more acrobatic of the two death-defying daredevils, Al or Pal.
By the time these 1925 films hit the movie palaces, Our Gang had already been an enormous hit with audiences for three years. The winning formula - a lovable band of plucky poor kids show up the stuck-up town snobs, bluenoses, Margaret Dumont-ish matrons and stuffed shirts just by being themselves - was there from the series' inception.
The first three Our Gang releases made their silver screen debuts across the United States in September - November 1922 and proved to be an enormous hit with movie audiences.
As inevitable as death and taxes, a gazillion kid comedies soon followed and Pal the wonder dog would be in the thick of things, starring as Tige in the Buster Brown comedies, produced by the Stern Brothers for Universal.
Imitation being the sincerest form of plagiarism, the Buster Brown series, based on Richard F. Outcault's comic strip character, is actually a shameless ripoff of Our Gang, right down to casting similar looking kids - one cast member is a dead-ringer for Our Gang mainstay Joe Cobb.
As fate would have it, Pal had a natural ring around his eye. A bit of dye and Max Factor assistance finished the job and transformed Pal into Pete The Pup. Rock-solid through both good and not-so-good periods in the series, Pete in some cases drive the storylines. Many of the silent Our Gang shorts, such as this one, Love My Dog, would be remade and improved upon in talkies.
In this correspondent's opinion, the Our Gang comedies from the early 1930's, thanks to a stellar ensemble cast, LeRoy Shield's evocative background music and inspired direction and writing by Bob F. McGowan frequently rank among the series' all-time best.
There is a level of genuine heart which entirely eluded the other "famous kid comedies" and even Our Gang itself at the end of its 15 year Hal Roach run and throughout the dreadful last six seasons produced by MGM.
Said genuine heart, taking a few cues from Mr. Chaplin and getting the audience to care about the characters, would be central to the 1930-1933 Our Gangs. The hilarious and charming Pups Is Pups, released theatrically on August 30, 1930, was a defining moment for the series and also included the silver screen debut of a new Petey, quite literally a pup when this was produced.
Now the reason that Bobby "Wheezer" Hutchins' buddy in Pups Is Pups is not Petey, but by a slew of puppies, shockingly, is due to intrigue, chicanery and violence involving the series' canine hero. Earlier in 1930, the first Pete The Pup, Pal the wonder dog, was poisoned to death by an unknown assailant!
One of Pal's offspring, seen among Wheezer's ridiculously cute co-stars in Pups is Pups, would succeed him and eventually star in a string of pretty darn wonderful Our Gang comedies.
The new dog, bred by A. A. Keller, was named Lucenay's Peter and can be seen following his trainer's commands with utter perfection in a newsreel clip with Harry Lucenay.
Lucenay's Peter grew quickly and made his silver screen debut in School's Out, one of the last Our Gang vehicles for Jackie Cooper before his move to feature films.
Two Pete starring roles that exemplify everything film buffs and Hal Roach studio fans adore about the Our Gang series are Dogs Is Dogs and The Pooch.
The former, the ultimate Depression era melodrama, delivered with lots of laughs along the way, casts Wheezer and Dorothy "Echo" DeBorba in a downright Chaplinesque situation. The two Our Gang stalwarts play impoverished children in danger, mistreated in a truly horrific manner by an abusive stepmother and her hideously spoiled son. Saving the day for Dorothy and Wheezer: one of the funniest and most likable Our Gang cast members and most memorable child actors in movies, Matthew "Stymie" Beard. When the horrid stepmother and her obnoxious kid get their comeuppance at (and in) the end, it's one of the great payoffs in movies.
The Pooch is even more melodramatic. Pete needs a license, the gang can't afford it, and the local dog catcher is a rat who derives sick pleasure from euthanizing strays. In a series of very funny scenes involving Stymie and a 3-year-old Spanky McFarland, the Gang tries various means of scraping up the money for the license. The evil dog catcher is played with appropriate villainy by Billy Gilbert actually attempts to kill Pete in a gas chamber! It all ends well for Petey and the Gang but at one point the kids are crying because they think Petey's dead! Both kids and their parents watching this in 1932 must have been crying their eyes out - there had to be many bruised arms the next day!
After Hal Roach fired Lucenay in 1932, the trainer took the second Pete to Atlantic City, where the pooch both entertained children at the Steel Pier and made his silver screen swan song in Buzzin' Around, one of the Vitaphone Big V comedies produced the East Coast, starring Roscoe Arbuckle and Al St. John. The brilliant and memorable movie career of Lucenay's Peter ended and the talented canine lived until 1946.
After Lucenay's Peter, several different dogs would appear in Our Gang as Pete, starting with Hook & Ladder.
These were also amazing dogs, in general Pete was gradually getting phased out of the series in the mid-1930's. This signals a change in storylines and approach that would be apparent as the 1930's progressed. For Pete's Sake is a memorable example of the later series, directed by Gus Meins, who piloted Our Gang after Bob McGowan's retirement in 1933.
Pete The Pup is to some degree a non-factor after Our Gang transitioned from the 20 minute length to 10 minutes. These slicker and shorter 1-reelers, built around Spanky, Alfalfa, Darla, Buckwheat and Porky, are the best known in the series. Directed by a young Gordon Douglas - later known for piloting a wide variety of feature films, including The Rat Pack in Robin & The 7 Hoods - they offer enthusiastic performances by the superb cast, plenty of laughs and a snappy pace, but lack the charm, depth, humanity, Depression-era flavor and LeRoy Shield music of the early 1930's Our Gangs.
We thank all the Petes for giving audiences much needed laughs during the Great Depression - and, on DVD, much needed laughs now.
In closing, we both thank and raise our chocolate milk-filled goblets to Crystal of In The Good Old Days Of Classic Hollywood for hosting the Animals In Film Blogathon and inviting us to participate.
Friday, May 27, 2016
Monday, May 23, 2016
Starting This Thursday: The 2016 Animals In Film Blogathon
Now officially no longer watching Rodney Dangerfield standup comedy routines (at least for a day or two) and clips celebrating the birthday of the incomparable Harry Ritz, we will announce our participation in the first Animals In Film Blogathon.
Big thanks to Crystal of In The Good Old Days Of Classic Hollywood for hosting and allowing the movie-crazed reprobates at Way Too Damn Lazy To Write A Blog to participate.
The rules for posting are pretty clear: National Velvet and International Velvet are cool, but Blue Velvet - well, not so much.
That said, King Kong is not only a-okay but, hallelujah, represented in this blogathon! And it's the 1933 RKO feature with Willis O' Brien's astounding stop-motion animation, not that the crappy 1970's version or those limited animation made-for-TV toons from the mid-1960's.
Our contribution will be all about the Our Gang comedies. The affection and high regard that Way Too Damn Lazy To Write A Blog has for the mini-masterpieces Hal Roach Studios produced starring Our Gang, Laurel & Hardy, Charley Chase, Harold Lloyd and others is entirely undimmed after over five decades, when this writer and many of his contemporaries first saw these films on TV. Our Gang is right in the wheelhouse for the Animals In Film Blogathon because it could be argued that the series' greatest star, especially in the late silent and early talkie eras, was the fabulous Pete The Pup.
We were thrilled to write about Petey and the Gang in an "Unca Paul's Foodie Films" post on the Eat With Annie website and are thrilled to cover the beloved series again.
The lineup for the 2016 Animals In Film Blogathon is as follows:
B Noir Detour - Obsession/ The Hidden Room
Back To Golden Days - Bringing Up Baby
Caftan Woman - A Tiger Walks
Century Film Project - Dog Factory
Christina Wehner - Rhubarb
The Cinematic Frontier - The NeverEnding Story
Cinematic Scribblings - Umberto D
Classic Movie Hub - The Cheshire Cat in Alice In Wonderland
Critica Retro - The Jungle Book
Dreams Are What Le Cinema Is For - The Fox
The Flapper Dame - Toto from "The Wizard Of Oz"
Flickers In Time - Moby Dick
Karavansara - Gorilla At Large
Make Mine Criterion - Very Happy Alexander
Meredy.com - Smoky
The Midnight Drive In - Harvey
Moon In Gemini - Mighty Joe Young
Movie Classics - Broadway Bill and Riding High
Movie Movie Blog Blog - Laurel & Hardy and horses
An Ode To Dust - Buster Keaton - Go West
Old Hollywood Films - The Yearling
Phyllis Loves Classic Movies - The film career of Asta, and Trigger in Son Of Paleface
Portraits By Jenni - Dunstan Checks In
Realweegiemidget Reviews - International Velvet
A Shroud Of Thoughts - The cat from “Breakfast At Tiffany’s"
Silver Screenings - Francis The Talking Mule
Twenty Four Frames - Way Too Damn Lazy To Write A Blog - The Ballad Of Pete The Pup
Wolffian Classic Movies Digest - King Kong
The Wonderful World Of Cinema - Rescued By Rover
Posted by Paul F. Etcheverry at 1:06 PM No comments:
Labels: Animals In Film Blogathon, blogathons
Saturday, May 14, 2016
Today: Creature Features Tribute
This all-day tribute to the Northern California late-night TV institution Creature Features and esteemed horror hosts Bob Wilkins and John Stanley holds forth at the Rheem Theatre on 350 Park Street in Moraga.
Tom Wyrsch, producer of the documentary Watch Horror Movies: Keep America Strong (and friend of the KFJC Psychotronix Film Fest) will no doubt have rare Creature Features footage to share with the audience.
To contact the Rheem Theatre's box office, call (925) 388-0751. Main office: (925) 388-0752.
Posted by Paul F. Etcheverry at 10:39 AM No comments:
Tuesday, May 10, 2016
Psychotronic Paul's Reel American Heroes #1
Was thinking of "the quiet Marx brother" earlier today reading a splendid article about Harpo on Neatorama by Miss Cellania, A.K.A. the delightful character actor, classic movie buff, comedian and writer Eddie Deezen. All at Way Too Lazy To Write A Blog are suckers for anything involving Harpo, Groucho, George Burns and Jack Benny!
Posted by Paul F. Etcheverry at 3:18 PM No comments:
Saturday, May 07, 2016
Olivia de Havilland Tribute At Stanford Theatre
Palo Alto's Stanford Theatre, one of two Sistine Chapels of classic movie wonderment in the San Francisco Bay Area, presents an extended Olivia DeHavilland 100th Birthday retrospective. The two month tribute started last night, so we're a day late and a dollar short with this news, but the classic movie-obsessed denizens of Way Too Damn Lazy To Write A Blog shall be there to check out as many double bills as humanly possible.
This dovetails nicely with the Olivia de Havilland Centenary Blogathon - in which this aficionado of Warner Brothers movies looks forward to participating on the silver screen icon's 100th birthday on July 1.
The Stanford Theatre retrospective will include The Adventures of Robin Hood, The Strawberry Blonde, Captain Blood, It's Love I'm After, The Charge of the Light Brigade, My Cousin Rachel, The Heiress, The Snake Pit, They Died With Their Boots On, The Dark Mirror, The Private Lives of Elizabeth and Essex, Santa Fe Trail, Hold Back the Dawn, Four's a Crowd, To Each His Own, The Great Garrick and, topping off the series in grand style, Gone With the Wind.
Sounds like big screen fun to me, even taking into account that Madame Blogmeister has requested that I find something else to do - a rousing game of tiddlywinks, perhaps - when the Stanford shows The Snake Pit, a never less than harrowing 108 minutes.
Posted by Paul F. Etcheverry at 10:54 AM No comments:
Labels: classic movies, Olivia de Havilland
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