Sunday, June 29, 2014
The Broncho Billy Film Fest Pays Tribute To "Baby Peggy"
The calcium light in today's 1PM matinee at the Niles Essanay Silent Film Museum shines brightly on author, historian and one of cinema's first child stars, Diana Sara "Baby Peggy" Cary. She willbe there in person for today's program.
This program is part of the museum's three day Broncho Billy Film Festival, which is always informative, fun - and chock full of historic film footage.
Posted by Paul F. Etcheverry at 10:27 AM 10 comments:
Labels: classic movies, Diana Sara Cary, film festivals, Niles Essanay Silent Film Museum, silent films
Thursday, June 26, 2014
Cool Fundraisers: 21st Century Music And 20th Century Silent Films
The first cool fundraiser is for the new album by Scott Amendola, who has been one of the very best jazz drummers in the U.S. for quite a few years now. Here he is, tearing it up with the mighty and incendiary "three guitars and a drummer" jazz-rock band T.J. Kirk in 1994.
The Pledge Music campaign will raise the money for Scott to record his orchestral piece, Fade To Orange, previously performed in 2011 with two musicians who sound great in a wide variety of musical genres, guitarist Nels Cline and bassist Trevor Dunn - and the Oakland East Bay Symphony.
It will be recorded for the new album and remixed by Yuka Honda of Cibo Matto, John Dietrich, Mocean Worker and Beautiful Bells.
We at Way Too Damn Lazy To Write A Blog are happy to support any project Scott does. It's a slam dunk that the music will be tuneful, mellifluous, creative, original and at points will absolutely swing like mad. Señor Blogmeister saw the percussionist/bandleader/composer play - and brilliantly - lots of times in the 20th century with such stellar groups as The Charlie Hunter Trio and the Henry Mancini tribute band known as Oranj Symphonette, led by multi-instrumentalist and film buff Ralph Carney.
The second cool fundraiser is for the next DVD release by intrepid DIY film preservationists, historians and silver screen comedy experts Ben Model, producer of The Silent Clowns Film Series since its inception in 1997, and author Steve Massa. They're at it again with The Marcel Perez Collection, a new DVD of amazing silent comedy rarities, many unseen since their original release.
This is the first retrospective of the unorthodox, original, imaginative, very funny and at times very surreal films starring and directed by Madrid-born comedian Marcel Perez (1884-1929).
The films on the DVD will be mastered from archival 35mm prints and featuring new piano scores by Model.
Perez's Italian films (1911-1914), in which he stars as Robinet, will be seen in new digital scans of archival 35mm materials from the Desmet Collection of the EYE Film Institute (Netherlands).
The American Marcel Perez comedies will be transferred from archival 35mm prints preserved by the Library Of Congress. The box art will be created by graphic designer and silent film aficionado Marlene Weisman.
Currently scheduled to be on the DVD: the following 10 comedy shorts made between 1908 and 1921.
Italian films, produced by Ambrosio
L’abito bianco di Robinet / Robinet's White Suit (1911)
Robinet innamorato di una chanteuse / Robinet in Love with a Singer (1911)
Signora Robinet / Mademoiselle Robinet (1912)
Robinet troppo amato da sua moglie / Robinet is Loved Too Much By His Wife (1912)
Robinet è Geloso / Robinet is Jealous (1914)
American films, produced for Eagle, Jester and Reelcraft
A Bathtub Elopement (1916) - USA, Eagle
A Busy Night (1916) - USA, Eagle
Camouflage (1918) - USA, Jester
You're Next (1919) - USA, Jester
Sweet Daddy (1921) - USA, Reelcraft
Assuming this fundraiser meets its goal (with 27 days to go, 97% of said goal has been made at this writing), the target date for the DVD release of "The Marcel Perez Collection" will be the end of October 2014.
Posted by Paul F. Etcheverry at 7:02 AM No comments:
Labels: classic comedy, classic movies, comedy films, jazz, Marcel Perez, Scott Amendola, T.J. Kirk, Undercrank Productions
Saturday, June 21, 2014
Happy 70th Birthday, Ray Davies!
Born on June 21, 1944, songwriter Ray Davies, having triumphantly beat all rock n' roll odds, celebrates his 70th birthday today.
Mr. Davies has kept performing with The Kinks and other various groups through his world travels and residence in New Orleans. Here he is with Metallica.
The Kinks, the brawling brother act that blended Ray's songcraft with the always stellar and crisp guitar work of Dave Davies, followed hot on the heels of The Beatles, The Rolling Stones and The Dave Clark Five in the second British Invasion, in 1964-1965.
And, yes, Virginia Mayo, there is a tie-in between today's post and the classic film related bent of Way Too Damn Lazy To Write A Blog: one of Davies' best songs, Celluloid Heroes.
Ray and Brian Wilson are among the headliners at the 2014 Hop Farm Music Festival in Kent, which will hold forth on the July 4th weekend.
Posted by Paul F. Etcheverry at 7:39 AM No comments:
Labels: pop music, Ray Davies, The Kinks
Friday, June 20, 2014
Happy Birthday, Brian Wilson!
It's Brian Wilson's birthday today! We'll kick this off with one of my favorites among Brian's more recent songs, which he wrote with bandmate and multi-instrumentalist Scott Bennett.
Here's a clip of Brian in the studio with fellow symphonic pop mastermind Sir George Henry Martin.
As fate would have it, Brian's birthday in 1942 is literally two days after the natal anniversary of his friend and maestro across the pond, Mr. Paul McCartney. Sir Paul is clearly moved and choked up when inducting Brian into the Songwriters' Hall Of Fame.
Happy Birthday, Brian - and thanks for the music!
Posted by Paul F. Etcheverry at 10:26 AM No comments:
Labels: Brian Wilson, Paul McCartney, pop music
Monday, June 09, 2014
Toons Around The World, Stop-Motion Style: The Incomparable Wladyslaw Starewicz
Since the 2014 International Festival Of Animated Film at Annecy is presenting a retrospective of stop-motion master Władysław Starewicz (1882-1965), Way Too Damn Lazy To Write A Blog blog shall also pay tribute to this visionary filmmaker.
It is noteworthy that the late, great producer-director-animator and historian Michael Sporn devoted his October 3, 2007 post to Wladislaw Starewicz, A.K.A. Ladislaw Starewicz, Ladislas Starevitch, Ladislaw Starevitch and Ladislaw Starewitch.
Michael wrote, "When I was young I had a 16mm print of The Revenge of the Kinematographic Cameraman, and I think I must have watched that print a couple of hundred times. I was absolutely intrigued with the accomplishment he had done in 1912 and felt, then, that it was on the same level as Winsor McCay’s Gertie the Dinosaur."
Sporn continues, "I’ve seen a number of his films at the Museum of Modern Art and was completely taken with his technique and craft in the film, The Magical Clock (1928) (aka The Little Girl Who Wanted to Be a Princess). The film includes some amazing combinations of Live Action with stop motion animation."
When someone innocently asks this blogger, Paul F. Etcheverry (A.K.A. Psychotronic Paul), "what's your favorite film?" one response that always gets the conversational ball rolling is, "that love triangle tale in which all the characters are dead insects - LOVE IT, LOVE IT, LOVE IT!"
Now generally that will stop the boring conversation dead in its tracks and enable Your Blogmeister to grab a few more pungent cheeses and hors d'oeuvres (and as long as no one actually finds out this blogger's favorite films would actually be gorgeous, pristine uncut 35mm nitrate prints of the entire Starewicz film series featuring Duffy The Mascot, A.K.A. La Fetiche).
On the rare occasion that someone follows up by asking who would actually make a movie starring dead insects, the short answers go something like this:
- Moscow-born innovator of stop-motion animation
- Produced films in Lithuania, Russia and France over six decades
- An entomologist by training, inspired to make animated films by the groundbreaking works of fellow visionary and filmmaking/animation pioneer Émile Cohl
That would be the incredible Władysław Starewicz.
Fascinated by zoology, Starewicz began his career as a documentary filmmaker for the natural history museum at Kovno, Lithuania.
Starewicz wanted to dramatize a fight to the finish between stag beetles, but the bugs, nocturnal creatures that they were, fell asleep whenever the lights came on. Solution: make dead insects into puppets by replacing the beetles' legs with wire, attached with sealing wax to their thorax. It worked - and started Starewicz on a new career in animation. Stop-motion technique was born - before Willis O'Brien, before Charley Bowers.
The finished film, "The Battle of the Stag Beetles", A.K.A. Lucanus Cervus, released by the Aleksandr Khanzhonkov studio of Moscow, followed the masterpieces by Émile Cohl among the first animated films.
In 1911, Starewicz left the Kovno natural history museum, moved to Moscow and began making stop-motion animated shorts for Khanzhonkov. The best known of these early Starewicz films is still the 1912 insect infidelity tale The Revenge Of The Kinematograph Cameraman.
The beetles (not Beatles), grasshoppers and more would be the unwitting and unlikely stars of numerous Starewicz films in 1911-1914, including Insects' Aviation Week, Four Devils and Voyage To The Moon.
He made the transition to live-action features and would be a prolific live-action director in the World War I years, before the Starewicz family fled Russia during the October 1917 Bolshevik Revolution. Władysław would resume his animation career in Paris, setting up shop in the former studio of Georges Méliès.
Władysław Starewicz changed his name to Ladislas Starevich, moved into a villa in Fontenay-sous-Bois, and spent the rest of his life there, continuing his work as a filmmaker, inventor, puppeteer and originator of stop-motion animation technique.
One of the studio's most ambitious films is The Tale Of The Fox, A.K.A. Le Roman de Renard, a feature that took took ten years to plan and eighteen months to produce.
Assisting in many of the elaborate stop-motion animation productions: Władysław's daughter, Irina Vladislavovna Starewicz.
After acting as Nina Starr frequently in the studio's silent films, Irina would contribute both animation and story to many of its brilliant sound movies.
Favorite of all the delirious, wildly imaginative fever-dreams of the great Wladislaw Starewicz? The answer remains The Mascot (A.K.A Duffy The Mascot, La Fetiche).
The epic stop-motion film remains the closest thing imaginable to a Hieronymus Bosch painting translated to the medium of puppet animation. Even though The Mascot post-dated Rene Clair's Entracte, and the Dadaists and Surrealists, it could teach all of them a thing or two about how to be truly surreal.
Léona Béatrice Martin-Starewitch has been the caretaker of her grandfather's legacy; she maintains the archives and preserves his original puppets and writes the official Wladyslaw Starewicz website.
She is responsible for curating several DVDS released in France by Doriane Films, including the feature The Tale Of The Fox. Due to the Region 2 encoding, these WILL NOT play on the Region 1 DVD players that are the standard in the United States and Canada.
One will require a region-free or multi-region PAL/NTSC DVD player to view these official releases from the Starewicz archives.
Monsieur Blogmeister appreciates what Doriane Films is doing and includes these releases, along with any retrospectives of The Morecambe And Wise Show, as persuasive reasons to purchase a region-free DVD player!
For stop-motion animation mavens here in the U.S. who do not have multi-region PAL/NTSC players, there was a DVD release available from Milestone Video - now, unfortunately, out-of-print - which featured a selection of the Eastern European stop-motion master's filmmaking genius. It's well worth scouting around for a used or remaindered copy.
These DVDs and occasionally a used copy of The Cameraman's Revenge And Other Fantastic Tales are available for purchase from Amazon. They also can be ordered from the Doriane Films website.
Era Film produced a documentary about him titled The Bug Trainer. Don't know if it has been released theatrically or on DVD in the United States yet, however, but look forward to seeing it.
After the Annecy Festival, there will be screenings by Institut Français of “Les Fables de Starewitch d’après La Fontaine” at the Yokohama Festival in Kanagawa, Japan, which transpires from June 28th to July 4th.
Wladislaw Starewicz remains one of the singularly most brilliant, original and innovative minds in the history of animation.
Who are our favorite stop-motion animators here at Way Too Damn Lazy To Write A Blog? One would be the surrealist Jan Švankmajer!
Darkness Light Darkness (1990) by Jan Svankmajer (mp4 360p) from cnc-asso on Vimeo.
Another stop-motion master is the great Henry Selick!
Henry Selick - ON THE SET PRODUCING CORALINE
Quay Brothers - The Cabinet of Jan Švankmajer
The following DVD can still be ordered via Amazon.com.
For more info, check out Eric Schneider's piece, Entomology And Animation: A Portrait Of An Early Master: Ladislaw Starewicz in Animation World Magazine, as well as this scholarly article penned for the Senses Of Cinema website by Adrian Danks, president and co-curator of the Melbourne Cinémathèque.
The Brothers Quay! bros quay the comb
Posted by Paul F. Etcheverry at 8:56 PM 2 comments:
Labels: ANIMATION, Ladislaw Starewicz, Michael Sporn, silent films, stop-motion animation, surrealism
Saturday, June 07, 2014
Subscribe to: Posts (Atom)