Today's topic: September 7 is National Beer Lover's Day!
That's right, there is a National Beer Lover's Day.
Tom T. Hall elaborates:
We'll kick the sudsy tribute off with The Three Stooges.
There actually was a film titled Rhapsody In Brew. It was produced by the Hal Roach Studio and stars comedy heroes Billy Gilbert and Billy Bletcher.
This excerpt from the Chuck Jones cartoon Trap Happy Porky cracks the gang Way Too Damn Lazy To Write A Blog up. Mel Blanc is particularly wonderful in voicing Porky Pig and the gang of inebriated felines.
Love the cartoons of British Animated Productions, especially Bubble & Squeek. Not surprisingly, the series' protagonist enjoys pub ale.
Is it true that dwarves got drunk in pre-Code Disney cartoons? Yes! Here they are, getting blitzed in The Merry Dwarves (1929).
Former Disney animator Earl Duvall directed cartoons for Warner Brothers, shortly after Leon Schlesinger started his studio. Our favorite? Buddy's Beer Garden! One of the credited animators is Frank "Tish Tash" Tashlin, then 20 years old.
Must follow Buddy's Beer Garden with a Charles Mintz studio Scrappy cartoon from the pre-Code era, so here's a fantastic one that razzes Prohibition (at that point just ending): The Beer Parade (1933).
Another terrific cartoon about Prohibition was produced by Ub Iwerks' Studio.
Over the past decade, this blog has posted a slew of animated beer commercials.
Last year's National Beer Lover's Day post, Cartoon Commercials Sell Beer, featured Mr. Magoo plugging Stag Beer, as well as the Piels Brothers ads and the Nichols & May commercials for Jax and Narragansett Beers. Also noted then that Mike Kazaleh wrote several excellent pieces about beer ads, including Pilsner Pranks - More Spots with Beer and Hops & Spots! for Cartoon Research. We love Fred Flintstone and Barney Rubble hawking Busch Beer!
In closing, here are some beer commercials we love starring Bert & Harry Piels (Bob & Ray).
Enjoyed writing last week's post so much that a followup is absolutely necessary. We shall start with my favorite of all the post-Otto versions of Felix. The style of the 1995-1997 Twisted Tales series recalls Fleischer more than Messmer, but who cares - it's still lots of fun and extremely imaginative. Several super-talented people we are acquainted with worked on the series.
Speaking of super-talented, animator and comics artist Milton Knight, among the directors who worked on The Twisted Tales Of Felix, posted the following 1933 Krazy Kat cartoon by the Ben Harrison and Manny Gould crew, Russian Dressing. I'm a big fan of the Your Favorite Cartoon Moments videos on Milton's YouTube channel.
One of the best cartoons from the Harrison & Gould crew at Mintz, in this pre-Code rubber hose animation aficionado's opinion, is The Broadway Malady (1933). I personally prefer it to The Broadway Melody!
The following early talkie Krazy Kat is another favorite and a link between 1920's Disney and early 1930's Harman-Ising WB. Looks like Friz Freleng, Hugh Harman, Rudy Ising, Rollin Hamilton and other soon to be Looney Tunes/Merrie Melodies animators worked on this extremely entertaining cartoon, packed with 1929 style funny animals, way-out sight gags and, of course, Prohibition-flaunting heavy drinking.
On the topic of animators, film producers and alcoholism, here's Felix Woos Whoopee, arguably the very best opus from the last three seasons of the Felix The Cat series. While producer Pat Sullivan by that time had been done in tragically by the bottle, Messmer's prodigious talent kept the series going into those dawn of talkies days. One wonders if Felix would have hung on a bit longer accompanied with sprightly soundtracks by, for example, Carl Stalling, Gene Rodemich or Jimmy Dietrich.
And, speaking of Gene Rodemich's peppy music, here is a cat-dominated Van Beuren cartoon we like a great deal. Don't mess with kittens!
We tip our top hats to UCLA Film & Television Archive for the following restored (and cat-packed) Max Fleischer Color Classic!
Next up: Bob Clampett's memorable and hilarious The Hep Cat (1942), noted in the previous "Feline Follies" post. Love it for the theme song alone - it's tough to top "I love the goyls and the goyls love me, just like the Sheik Of Araby."
After all, we love Bob Clampett - and especially his classic Martian invasion cartoon Kitty Kornered (1946).
The following two Chuck Jones cartoons feature the playful kitten character Pussyfoot and his protector Marc Anthony the bulldog. In both cartoons, the cuteness works quite well.
Closing today's Feline Follies: the extremely funny Friz Freleng cartoon Birds Anonymous (1957), which successfully skewers 12-step groups, insufferable moralists, Sylvester the cat and animated cartoon conventions in one fell swoop.
After watching a bunch of very funny Snub Pollard 2-reelers produced by Hal Roach and directed by Charley Parrott Chase, plus Universal Jokers co-starring goofball comic Billy Franey and (frequent Chase co-star) Gale Henry, some directed by William "One Shot" Beaudine, the gang here is thinking of silent era cartoons - especially all-time favorite Felix The Cat, that gem from the inspired pen of the incomparable Otto Messmer (1892-1983).
Author, animator and Messmer expert John Canemaker elaborates.
Have devoted entire blog posts to Messmer and Felix. Our family even had an amazing and playful tuxedo cat named Felix!
The blog has posted numerous Felix cartoons but somehow missed the very first entries in the series.
So, here, submitted for your approval, are first two Felix The Cat cartoons, made back in 1919.
While Messmer's essential and trademark minimalism is there from the beginning, Felix' design is different and more angular in these early cartoons.
Since the awaited Blu-ray release of Rainbow Parade Cartoons volume 2 by Thunderbean is just around the corner, must find a spot in today's post for the following 35mm scan of Bold King Cole, one of the three Felix cartoons from RKO Radio Pictures' Rainbow Parade series.
Am under the impression that Otto was not involved in the making of the Van Beuren Felix cartoons; no surprise there, as Messmer's magical cat is, while enjoyable, a bit sanitized in the Rainbow Parades. He did go on to animate the lights fantastic in Times Square - on that more later.
How do we show proper respect for Mr. Messmer and Felix? With a few more cartoons featuring cats, beginning with one produced by the Van Beuren Studio that looks a tad like those last Felix cartoons from 1930, but features a much better and downright jaunty music track, courtesy of the excellent Gene Rodemich. The co-star, Countess Cat, sounds like the Betty Boop voice who preceded Mae Questel in the boop-oop-a-doop part and also played Olive Oyl when Ms. Questel was unavailable, Margie Hines.
SASSY CATS is one of Columbia Pictures' Scrappy cartoons, created by three all-time animation greats, Dick Huemer, Art Davis and Sid Marcus, for the Charles Mintz Studio. The gang at Way Too Damn Lazy To Write A Blog finds the outrageous pre-code cartoons and animation of Heumer, Davis and Marcus hilarious.
Davis and Marcus ended up at Warner Brothers; the former would be a head animator with both Frank "Tish Tash" Tashlin and Friz Freleng, while the latter collaborated with Bob McKimson both on creating The Tasmanian Devil and such cartoons as The Hole Idea (1955).
After leaving the Mintz Studio in 1933, Mr. Huemer spent decades as a top Walt Disney Productions storyman, working as a team with Joe Grant, contributing to Snow White & The Seven Dwarfs, Pinocchio, Fantasia, Dumbo, Bambi, etc. He was, on record, not a fan of his Mintz cartoons.
Speaking of the Charles Mintz Studio, the crew there led by Ben Harrison and Manny Gould were among those to bring the Krazy Kat from comics and the universe of George Herriman (1880-1944) to animation.
The Harrison Gould production team did this once and it's a pretty darn good attempt at George Herriman's Krazy, as opposed to the rubber-hose generic Krazy seen in the previous Mintz Krazy Kat cartoons.
In the opinion of this cartoon fan, the 1936 Mintz cartoon comes closer to capturing the George Herriman universe than the WW1 era Krazy Kats produced by International Film Service, Inc. (a.k.a. Hearst).
The ever-inventive Gene Deitch also made 34 episodes of a series based on Herriman's Krazy Kat in the 1960's at his Prague studio, no less. Many can be seen on the Comic Kings YouTube channel. Perpetual wiseguy Ignatz Mouse is played by none other than Paul Frees.
Given the difficulties translating the otherworldly qualities of George Herriman's comic strip to animation, still find the early 1960's take on Krazy and Ignatz quite entertaining.
These are among the more clever made for TV cartoons. "Stoned Through The Ages," second one in the following Krazy compendium, was definitely dope back in 1966!
Gene, thankfully, did us the favor of writing about such key collaborators on the 1960's Krazy Kats as Al Kouzel in his ROLL THE CREDITS series.
What's the best way to wrap this cat-packed post up? With an extremely funny Warner Brothers cartoon in glorious Cinecolor directed by one of those fellows responsible for Scrappy at the Charles Mintz Studio, the great Arthur Davis.
The cat, Louie the parrot's pal Heathcliff, may qualify as the single dumbest character ever in an animated cartoon.
For the next Feline Follies, there are many more options, including the Hugh Marman MGM cartoon THE ALLEY CAT, Terrytoons' Little Roquefort, Bill Hanna and Joe Barbera's Tom & Jerry in CinemaScope, and especially Bob Clampett's WB masterpieces The Hep Cat (1942) and Gruesome Twosome (1945), that could be added.
Unfortunately, did not find a complete print of Irv Spector's enjoyable Modern Madcap cartoon Cool Cat Blues (1961), featuring stellar voice work by impressionist Will Jordan, as all transfers on YouTube and Daily Motion appear to be missing footage for some reason. This cartoonologist prefers the satiric qualities of the 1960's Modern Madcaps to the more formulaic 1950's Famous Studios cartoons.
Transitioning from late-night TV to silent movies in an ungainly manner, we applaud the indefatigable film historian and Blu-ray producer David Glass for starting up a Kickstarter to raise the dough-re-me to produce a grand spanking new Blu-ray set featuring comedy rarities. This compilation stars the guy who made the greatest number of films for Hal Roach Studios, Australian comic Harry "Snub" Pollard (1889-1962).
At Way Too Damn Lazy To Write A Blog, we regard Snub as the funniest, along with Ben Turpin, of the "mustache brigade" comics, with second place (or honorable mentions) going to Billy Bevan and Clyde Cook.
As the following video notes, the set shall include not only a slew of Snub starring vehicles, but several comedies in which Mr. Pollard was a key supporting player for the Hal Roach Studios' first star, Harold Lloyd. Snub, leading lady Bebe Daniels and bad guy Bud Jamison made a gazillion comedy short subjects with Harold; Steve Massa's latest book Lonesome Luke's Lively Life covers Mr. Lloyd's early years at the Rolin Film Co. in depth.
Ran the following Snub classic (which will be on the set mastered from a 35mm print) in one of the Psychotronix Film Festivals I co-programmed with Sci Fi Bob Ekman and Scott Moon and it always got a lively crowd response. The eternally nonplussed Snub in the magnet car always gets big laughs
Don't know if the following film, Sold At Auction, is among the 26 on the set, but it was directed by none other than Charley Chase and features laughs aplenty and way-out ideas galore. While the following print appears to be a 16th generation dupe, the gags and Snub's adept physical comedy are still quite funny.
Donated to the Kickstarter and look forward to seeing sight gag-packed slapstick from Snub, Harold, excellent leading lady Marie Mosquini and such inspired supporting players as Hughie Mack, George Rowe and the ubiquitous Bud Jamison.
Between this Kickstarter for the Snub Pollard Blu-ray, another fundraiser author Thomas Reeder and the Library Of Congress' Rob Stone have launched for a Blu-ray set of ridiculously rare Universal Joker Comedies and Thad Komorowski's silent Terrytoons compilation, there will be much anticipation among avid fans of classic comedy and silent movies.
Early cinema expert Thomas Reeder has penned a new book on the Universal Joker Comedies, Ten Minutes of Mirth: Allen Curtis and His Joker Comedies, 1913-1917, along with a second book of photos from the studio. In addition, Lea Stans of Silent-ology posted a well-researched and informative article about the Universal Jokers.
The Kickstarter for the Blu-ray of Joker Comedies ends Sunday, while Snub's fundraiser ends on the morning of September 15.
Shall attempt to wrap this non-chronological series about late night TV a la The Tonight Show Starring Johnny Carson up in an untidy way. This will be yet another too many clips, WAY too many clips proposition. Where to start? With a nod to The Story Of Late Night, the 2021 CNN series directed by John Ealer.
The six episode series is overall good, the utterly inexplicable omission of our favorite show of all the post-1990 late-night series, The Late Late Show With Craig Ferguson notwithstanding.
The guy who sat behind the coveted host desk for the greatest number of late night shows other than Johnny Carson and David Letterman was (drum roll). . . Jay Leno.
He didn't just helm The Tonight Show from May 25, 1992 to May 29, 2009 and from March 1, 2010 to February 6, 2014, Jay guest hosted for Johnny 333 times; the second and third most prolific Tonight Show guest hosts were Joan Rivers with 201 shows and Joey Bishop with 177.
Tonight Shows featuring Johnny Carson and Jay Leno together could be pretty darn hilarious.
We’re okay with Jay, like him best as a stand-up comedian (and also enjoy his recent Jay Leno’s Garage videos about classic cars). With his hosting literally hundreds of Tonight Shows is it possible to forget how good Jay was at stand-up? Yes.
Jay and Jerry Seinfeld were the hardest working stand-up comics in showbiz and toured ALL THE TIME back in the 1970's and early 1980's.
In succeeding The King Of Late Night, Jay Leno ended up in the same boat as Shemp Howard, who followed Curly in The Three Stooges. No matter how good his version of The Tonight Show was, Jay was destined to be compared to Johnny Carson. Both Shemp and Jay make this comedy fan laugh, but that's the breaks.
Believe it or not, Jay frequently appeared on Late Night With David Letterman in the early to mid-1980's, as he did on The Tonight Show.
There's one compilation of Jay on Letterman in the early 1980's we didn't post because it was three hours long. Meanwhile, Mr. Letterman, who thought he would be the successor to Johnny Carson, has had plenty to say over the decades about his relationship with NBC and Jay Leno.
Further late-night wars involving NBC and The Tonight Show engulfed Jay Leno and Conan O’Brien (spotlighted in Part Four of this series).
Notably, Conan, a writer for Saturday Night Live and The Simpsons prior to hosting Late Night With Conan O’Brien, brought Robert Smigel of Triumph The Insult Comic Dog fame with him as part of a crew of ace writers that included Brian Stack, Brian McCann, Mike Sweeney, Dan Cronin, Berkley Johnson and Matt O' Brien.
At least Conan got Norm to appear on his last Tonight Show!
Jay, interviewed by fellow comic Howie Mandel, elaborates:
And then there was The Late Late Show With Craig Kilborn. Don’t know what Mr. Kilborn, host of The Daily Show from 1996-1998 and The Late Late Show With Craig Kilborn from 1999 to 2004 is doing these days. Had Kilborn, the snarkiest snark other than David Spade, been in showbiz 30 years earlier, one could envision him as a guest host for Johnny Carson. And, yes, that's right, he preceded Jon Stewart AND Craig Ferguson as host of their respective shows.
Mr. Ferguson, in this writer's opinion the funniest of the latter-day late night hosts, took The Late Late Show into ultra-zany and uncharted territory.
Especially like appearances by Lewis Black, another outstanding stand-up comedian, on The Late Late Show.
While Mr. Ferguson, after ten seasons of his show, has been off the air for a decade, he still has very enthusiastic fans on YouTube. There is a 9 hour compilation of its highlights, playlists from the YouTube poster named Fergufool and the Late Late Show With Craig Ferguson Archive channel, which, among numerous clips, includes excellent comedy from season 7, season 8 and season 9 of the series.
Currently, Craig has his own You Tube channel, where he posts his stand-up specials - the latest is great - and entertaining interviews.
With that, we call this a wrap, having gone as far into modern day 21st century entertainment as this blog ever goes. Won't be covering the more recent series (Stephen Colbert, Jimmy Kimmel, Seth Meyers, Jimmy Fallon, James Corden), the non-Tonight Show style programs that ran on late night (Later With Bob Costas, and Late Late Show With Tom Snyder) or sketch comedy shows - Fridays, SNL, SCTV - that aired at 11:30 p.m.
Alas, an accurate and complete history of late night TV, sadly, not unlike a history of silent movies, would demand that all those shows that ended up dumped in the East River show up again in pristine condition. After all, Groucho, Ernie Kovacs, Mort Sahl and Bob Newhart all hosted!
How do we finish this series? With The Tonight Show Band playing Johnny Carson’s favorite tune, Here’s That Rainy Day.
As Steve Allen was a pianist/composer/bandleader who doubled as a comedian, music was a key ingredient in The Tonight Show from the beginning. Calypso group Tiger Boy performs in the following 1956 Tonight Show, beginning at 21:03.
Don't find many complete shows from Steve Allen's Tonight Show tenure or those hosted by Ernie Kovacs on Archive.org, YouTube, Vimeo, Daily Motion. There MUST be musical interludes in the Kovacs episodes! Skitch Henderson led the NBC orchestra at that time and into the Jack Parr and Johnny Carson eras. Doc Severinson and Tommy Newsom followed. The big band was patterned on the ensembles led by Count Basie, Quincy Jones, and (later) Thad Jones & Mel Lewis.
Dizzy Gillespie had an excellent time playing his compositions with the Tonight Show band.
All that said, as much as the Tonight Show band exemplified the Atomic Mr. Basie approach, periodically Johnny had a musical guest on who was not from the big band tradition.
Numerous rock, soul, pop and jazz greats performed on David Letterman's NBC and CBS shows. This included the recently departed metal man Ozzy Osbourne & Black Sabbath.
Did the music represented on Letterman run the freakin' gamut? Yes.
Could this band back Keith Emerson and McCoy Tyner? Yes - watch this!
It is not particularly surprising that with The World's Most Dangerous Band took to jazz in a big way. Bassist Will Lee toured with one of our favorites from the jazz universe, Horace Silver.
No doubt, several of musical director Paul Shaffer's heroes got to be on the show.
A memorable spinoff from the NBC incarnation of Late Night With David Letterman involved frequent Letterman guest, session man supreme and Gil Evans Orchestra stalwart David Sanborn, along with Letterman Show bandmates, and would represent something approximating a gold standard in presenting music on late-night television. That was Sunday Night A.K.A. Michelob Presents Night Music. We'll never see its like again.
Can't post the entire series here in this post, so check out this playlist. Would buy a Blu-ray of the complete series, pretty much the last gasp of jazz music on American television (even in late night), if possible.
Am a bit disappointed not to find more clips from The Arsenio Hall Show, which brought quite a variety of music to TV during its late 1980's - early 1990's heydey.
Tend to associate Dick Cavett's late-night program more with rock music than jazz, but, what do you know, here's Buddy Rich, frequent guest of The Tonight Show Starring Johnny Carson, bringing that big band sound to The Dick Cavett Show.
In closing, am not quite sure this fits into the late night theme, as Dick Cavett had moved out of the 11:30 p.m. Tonight Show time slot fairly early in his TV career. In any case, this must be one of the earliest instances of David Bowie on American television and precedes his 1979 appearance on Saturday Night Live.
Mr. Cavett did a good job interviewing Miles Davis here. If the guests on his late night and subsequent PBS shows were any indication, Dick Cavett was an enthusiastic aficionado of jazz and rock music.
As expected, could barely scratch the surface of this topic, the mighty music of late night TV, in this post!
Happy to offer a little taste of the goodness that was available on the ol' boob tube way back when.
This entry in Saluting The Heroes Of Late Night TV focuses mostly on much-ballyhooed and anticipated shows that for one reason or another, didn't make it, got steamrollered during that 1980's stretch when Johnny Carson was still king.
Throughout his 1980's NBC years and into his time hosting The Late Show at CBS, David Letterman continued to redefine late-night, presenting a different style of comedy from Johnny Carson's Tonight Show.
David Letterman booked guests seldom seen on the Tonight Shows hosted by Steve Allen, Jack Parr and Johnny Carson.
Some of the late-night train wrecks ended up profiled on 13 Week Theatre, journalist, radio show host and pop culture historian Pab Sungenis' series on TV shows that ignominiously crashed and burned.
In 1984, Jerry Lewis tried again to take on Johnny Carson, at least make a bit of a dent in The Tonight Show's rule, with comedian/musician Charlie Callas as his sidekick.
The Jerry Lewis Show succeeded Thicke Of The Night, Metromedia's syndicated late-night show starring producer, songwriter and Fernwood 2 Night/America 2 Night writer Alan Thicke.
Thicke Of The Night regulars including actress Chloe Webb and comics Richard Belzer, Gilbert Gottfried and Charles Fleischer. It got spoofed mercilessly by SCTV as Maudlin O' The Night. The late great Joe Flaherty as Sammy Maudlin darn near kills himself to entertain his fans!
Since Jerry Lewis was quite funny riffing with Eddie Murphy and Joe Piscopo on a November 1983 episode of Saturday Night Live and did excellent work playing a Carson-style host stalked by a psychopath played by Robert DeNiro in Martin Scorsese's The King Of Comedy, the notion that Jerry could succeed in late-night is not all that far fetched.
While the possibility that Jerry's ultra-goofy slapstick take on The Tonight Show might actually work does not seem entirely preposterous, his show crashed and burned and was cancelled after five episodes.
Too bad Charlie Callas, a professional jazz musician and big band drummer who was a comedian/impressionist on the side, didn't play drums on The Jerry Lewis Show.
Somebody somewhere in the CBS network boardrooms had the notion that Wheel Of Fortune co-host Pat Sajak would be a good late night ringmaster and give Johnny Carson a run for his money. Whoever it was must have been a friend of Ed Grimley! After all, Pat must be a decent guy I must say.
The Pat Sajak Show ran on CBS from 1989-1990. Some of the Pat Sajak shows are up on YouTube and elicit the response "what were they thinking?"
The Pat Sajak Show would be the CBS network's last effort at late night until David Letterman was convinced to bring his show from NBC in 1993. It wasn't the first, as in 1969-1972, vocalist and entertainer Merv Griffin hosted a late-night show on CBS, no doubt a response to his extremely popular weekday afternoon program. Inexplicably, have found absolutely no clips of late-night Merv on YouTube, Daily Motion, Vimeo, etc.
Arguably, even worse than Pat Sajak - I must say - as late night host was Chevy Chase.
His 1993 late night show most assuredly was from Pimento U. . . old P.U. That said, there are enjoyable individual bits here and there in the premiere episode, such as the scat-singing musical interlude a la Lambert, Hendricks & Ross and Eddie Jefferson starting at 11:37. Perhaps what Chevy really wanted was to play some jazz!
Late-night found its way to the Fox Network when the Lex Luthor-like Australian publishing magnate Rupert Murdoch shelled out $255 million in 1985 for a 50% interest in TCF Holdings, the parent company of the 20th Century Fox film studio.
The new FBN's first program, before The Tracey Ullmann Show, Married With Children, etc. was The Late Show with Joan Rivers. This made sense as an entry into the late-night sweepstakes, as Joan consistently killed both as Tonight Show guest and Tonight Show guest host.
Fox, then known as FBC, outbid NBC, which had offered Joan Rivers a one-year contract as Tonight Show guest host, while giving her a shot at hosting her own late-night series.
This ended up as the first late night wars donnybrook after Jack Parr walked off The Tonight Show in 1960 and caused a permanent rift between Johnny Carson and Joan Rivers. After seeing her work on numerous shows over decades, now regard Joan Rivers, a versatile comedy writer, improv performer (Second City Chicago) and unstoppable one-liner ace a la Rodney Dangerfield, as under-rated.
While the late night TV fans here contend that Joan Rivers presided over a very good, entertaining and funny show, it was considered a flop back in the 1980's. Johnny Carson, seriously ticked off over her signing with Fox, had something of a blacklist going and made it emphatically clear that those who appeared on The Late Show with Joan Rivers would never work in showbiz or appear on The Tonight Show again!
Did The Late Show Starring Joan Rivers merit an episode of 13 Week Theatre? Maybe, maybe not, but one wonders what would have happened had Joan informed Johnny about the offer from Fox, especially how they substantially outbid NBC while giving her a late-night show - and received the King Of Late Night's blessing.
One reason among many to like Joan Rivers is that Pee-wee Herman, late lamented comic and cast member from The Groundlings, was a frequent guest on her Late Show.
Pee-wee Herman actually guest-hosted The Late Show. Have not yet found any clips of Groucho or Mort Sahl hosting The Tonight Show, but much enjoy seeing Pee-wee, a funny and original comedian, in the Jack Parr/Johnny Carson chair.
One of Joan's guest hosts was actor and comedian Arsenio Hall, who, after Fox sacked Ms. Rivers, hosted for 13 weeks with great success and high ratings. He turned Fox down to work with Eddie Murphy on his 1988 feature Coming To America. Arsenio's stretch as successful late-night host would come later - and not with the Fox Network.
The Arsenio Hall Show
was such a big hit that Dana Carvey and Phil Hartman spoofed it on Saturday Night Live as The Carsenio Hall Show. Arsenio's show, especially in its late 1980s early 1990s heydey, was very good and presented music rarely seen on late night, from hard rock to hip hop to jazz.
Will return next weekend with a look at the music of late night TV.
