
Thinking, as we do often, of movie comedians who successfully transitioned from silents to talkies.

Some studios and funmakers did better than others. Mack Sennett had his problems adapting to the new medium but did employ the likes of Harry Gribbon, Vernon Dent and Andy Clyde - and a couple of years later, the brilliant W.C. Fields.
Next: comediennes in early talkies, led by the following bravura performance of Marie Dressler in Hollywood Revue Of 1929. She must have been devastatingly great on stage!
Marie & Polly Moran both made Mack Sennett comedies back in the WW1 era and actually worked as a comedy team in 1927-1931 MGM features. Here they are in the Al Christie talkie DANGEROUS FEMALES.
Another actress who got big laughs in both silents and talkies was "baggy pants comedienne" Louise Fazenda, former star of Universal Joker, Mack Sennett and Educational (Jack White) Comedies - and later a key supporting player in Warner Bros. musicals. She plays a Calamity Jane gunslinger type in the following "when men were men and sheep were nervous" scenario.
While the spotlight on silent movie comediennes who successfully transitioned to sound should definitely include Marion Davies, there are no short excerpts from her early talkies available via YouTube, Daily Motion and Internet Archive, just complete features. Alas, Mabel Normand, Wanda Wiley and Alice Howell did not make any sound movies. Have read that Fay Tincher's last film, All Wet (1930), was a Universal Pictures talkie 2-reeler starring Syd Saylor, but have never seen it.
Then there's Educational Pictures, which featured the often inspired and memorable comic Lloyd "Ham" Hamilton, then in his second run with the prolific comedy films distributor, in 1929.

Hamilton continued starring in very funny talkie 2-reelers through the early 1931 Educational releases.

Hamilton's sound pictures from 1929-1930 represent a comeback after a stretch in which personal problems including injuries, homelessness, presence at drunken brawls and hard partying in general got him banned from the screen for a year.

In Toot Sweet, Lloyd Hamilton does a good job of bringing his unrelentingly snakebit, shabby sad sack character from silents to sound.
Don't Be Nervous, featuring Ham in a dual role, would be my favorite of the Lloyd Hamilton Talking Comedies, along with the extremely funny Prize Puppies from 1930.
Before his decades as a megastar of British movies and stage shows (Me & My Girl), Lupino Lane starred in short comedies through the teens and twenties.
A favorite of the musical comedy aficionados at Way Too Damn Lazy To Write A Blog remains this very wacky number co-starring the ever-charming Lillian Roth with the ever-tumbling Lupino from the Ernst Lubitsch feature The Love Parade.
Now it's on to the Hal Roach Studio. A bunch of the Lot Of Fun stars and stock company members, including Max Davidson, Thelma Todd and Eddie Dunn appear together in this Edgar Kennedy 2-reeler.
100 years after his heydey, Harry Langdon remains both among the funniest and most polarizing of all movie comedians.

The gang here are among the few who are not only okay with Langdon's utter oddity and consider it his m.o. as a performer, but actually find his much maligned Hal Roach talkies quite funny in a very unorthodox way.
Devoted an entire post to these films - here's one of them!
Robert McGowan created the Our Gang series and helmed the films in silents by speaking the directions to the child actors, so these first talkies, in which he absolutely could not do that, are fascinating.
They are also interesting in blending the series' silent era stars, a.k.a. Hal Roach's Rascals, with the group that would increasingly carry the first season of sound Our Gang comedies.
Can't omit Laurel & Hardy from this mix. Berth Marks is notable for establishing something of a Guinness World Record for the amount of screen time devoted to one bit. The unrelentingly claustrophobic scene in the Pullman car features rather amazing extended physical comedy by Stan & Babe.
Our favorite of this bunch of early talkie comedies by far is Charley Chase and Thelma Todd in CRAZY FEET!

Are Charley and Thelma irreverent, extremely goofy and hilarious? Yes.
Acknowledgments: Weirdo Video, Geno Cuddy, Ralph Celentano, The Library of Congress, Dave Glass and all those involved at Sprocket Vault (Kit Parker, Richard M. Roberts especially) in making the 1929 Hal Roach talkies available on Blu-ray and DVD.
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