Many moons ago, the indie filmmaking technique du jour was pixilation. . . . A.K.A. stop-motion, shot a single frame at a time. The technique, developed at the turn of the 20th century by Emile Cohl, would be adopted by countless young filmmaker wannabees. Pixilated short subjects were made by the dozens with crummy 16mm (or even 8mm) movie cameras and without the creativity of a Willis O'Brien, Ray Harryhausen or king of pixilation Norman McLaren.
Everybody who made crappy cheapjack student films in the 1970's (as this writer did) used it. Boy, did we use it - like 1960's slide guitarists used Elmore James' "dwee dee dee dwee dee dee dwee dee dee dwee dee dee DWEE DEE" ad nauseum.
Films featuring pixilation seemed to have required by law to be shown in every program everywhere and proved a staple of that relic from the 1980' s, the "16mm film room." Some were great, some not-so-great. Consistently in the former category: the short subjects of the creative and "pixilated" indie filmmaker Mike Jittlov. In Fashionation, he skewers the unrelenting marketing of 1960's - 1970's pop culture images adeptly.
The Mike Jittlov opus which seemed to be required by law to be shown at every screening in the 1970's and 1980's was The Wizard Of Speed & Time. Still enjoy seeing it.
This was followed by a feature film version of The Wizard Of Speed & Time produced by Mike Jittlov in 1988. Don't know Mike Jittlov's story, but he did employ a lot of ingenuity and razzle-dazzle on limited budgets to make fun independent films. Wherever Mr. Jittlov is in October 2017, hope he's doing well. Periodic appearances at conventions and film festivals indicate that Jittlov's moxie, formidable imagination, swashbuckling personality and excellent sense of humor remain intact.
Don't know if indie filmmakers Frank and Caroline Mouris are still with us and active in 2017, but their idea-packed and visually kaleidoscopic short subjects were staples of animation screenings.
Tom Petty, the great bandleader/songwriter who passed a few days ago, was known to show the duo's Oscar-winning cut-out animation opus, the biographical Frank Film (1973) as part of the Petty & The Heartbreakers sets, as accompaniment for one of his songs (forget which one, unfortunately).
Like Mike Jittlov, Frank and Caroline Mouris managed to consistently create strong indie filmmaking distinguished by intriguing visuals and split-second psychedelic montages on shoestring budgets.
The Iota Center website features some very cool and in some cases pixillated animation by Frank and Caroline Mouris.
This blogger's favorite purveyor of pixilation, then and now, is Norman McLaren.
We close today's post with a favorite of all pixilated films: Norman McLaren's OPENING SPEECH. Norm had a wacky sense of humor to go with his artsy side.
