Thinking, as we do often, of movie comedians who successfully transitioned from silents to talkies.
Some studios and funmakers did better than others. Mack Sennett had his problems adapting to the new medium but did employ the likes of Harry Gribbon, Vernon Dent and Andy Clyde - and a couple of years later, the brilliant W.C. Fields.
Next: comediennes in early talkies, led by the following bravura performance of Marie Dressler in Hollywood Revue Of 1929. She must have been devastatingly great on stage!
Marie & Polly Moran both made Mack Sennett comedies back in the WW1 era and actually worked as a comedy team in 1927-1931 MGM features. Here they are in the Al Christie talkie DANGEROUS FEMALES.
Another actress who got big laughs in both silents and talkies was "baggy pants comedienne" Louise Fazenda, former star of Universal Joker, Mack Sennett and Educational (Jack White) Comedies - and later a key supporting player in Warner Bros. musicals. She plays a Calamity Jane gunslinger type in the following "when men were men and sheep were nervous" scenario.
While the spotlight on silent movie comediennes who successfully transitioned to sound should definitely include Marion Davies, there are no short excerpts from her early talkies available via YouTube, Daily Motion and Internet Archive, just complete features. Alas, Mabel Normand, Wanda Wiley and Alice Howell did not make any sound movies. Have read that Fay Tincher's last film, All Wet (1930), was a Universal Pictures talkie 2-reeler starring Syd Saylor, but have never seen it.
Then there's Educational Pictures, which featured the often inspired and memorable comic Lloyd "Ham" Hamilton, then in his second run with the prolific comedy films distributor, in 1929.
Lloyd Hamilton's sound pictures from 1929-1931 represent a comeback after a stretch in which personal problems including multiple injuries, homelessness, unfortunate presence at drunken brawls and hard partying in general got him banned from the screen for a year.
In Toot Sweet, Hamilton does a good job of bringing his unrelentingly snakebit, shabby sad sack character from silents to sound.
Don't Be Nervous, featuring Ham in a dual role, would be my favorite of the Lloyd Hamilton Talking Comedies, along with the extremely funny Prize Puppies from 1930.
Hamilton continued starring in very funny talkie 2-reelers through the early 1931 Educational releases.
Before his decades as a megastar of British movies and stage shows (Me & My Girl), Lupino Lane starred in short comedies through the teens and twenties. As was the case with Lloyd Hamilton, he adapts to sound quite well.
A favorite of the musical comedy aficionados at Way Too Damn Lazy To Write A Blog remains this very wacky number co-starring the ever-charming Lillian Roth with the ever-tumbling Lupino, as always a gifted physical comedian, from the Ernst Lubitsch feature The Love Parade.
Now it's on to the Hal Roach Studio. A bunch of the Lot Of Fun stars and stock company members, including Max Davidson, Thelma Todd and Eddie Dunn appear together in this Edgar Kennedy 2-reeler.
100 years after his heydey, Harry Langdon remains both among the funniest and most polarizing of all movie comedians.
The gang here are among the few who are not only okay with Langdon's utter oddity and consider it his m.o. as a performer, but actually find his much maligned Hal Roach talkies quite funny in a very unorthodox way.
Devoted an entire post to these films - here's one of them!
Robert McGowan created the Our Gang series and helmed the films in silents by speaking the directions to the child actors, so these first talkies, in which he absolutely could not do that, are fascinating.
They are also interesting in blending the series' silent era stars, a.k.a. Hal Roach's Rascals, with the group that would increasingly carry the first season of sound Our Gang comedies.
Can't omit Laurel & Hardy from this mix. Berth Marks is notable for establishing something of a Guinness World Record for the amount of screen time devoted to one bit. The unrelentingly claustrophobic scene in the Pullman car features rather amazing extended physical comedy by Stan & Babe.
Our favorite of this bunch of early talkie comedies by far is Charley Chase and Thelma Todd in CRAZY FEET!
Are Charley and Thelma irreverent, extremely goofy and hilarious? Yes.
Acknowledgments: Weirdo Video, Geno Cuddy, Ralph Celentano, The Library of Congress, Dave Glass and all those involved at Sprocket Vault (Kit Parker, Richard M. Roberts especially) in making the 1929 Hal Roach talkies available on Blu-ray and DVD.
Today is the natal anniversary of Oliver "Babe" Hardy, half of our all-time favorite comedy team.
Oliver Hardy was a singularly brilliant comic actor who stands atop our list of all-time favorite movie comedians.
By far the most profiled funmaker of any on this blog, Oliver Norvell Hardy was born on this day in 1892.
Where does a lifelong L&H fan even start?
With this footage from the set of Should Married Men Go Home shot by George Mann of the comedic dance act Barto and Mann. Thanks, George and thanks, Bob Smith for posting!
For more than a decade before he was teamed with Stan Laurel, Babe Hardy was an extremely prolific supporting player.
Appearing in a slew of films from 1913-1917, Hardy was a stock company stalwart at Lubin and other production companies in Jacksonville, FLA.
This includes a stretch at Vim Comedies, where Hardy co-starred in the Plump & Runt series with Billy Ruge and also was a supporting player in the Pokes & Jabbs series starring Bobby Burns and Walter Stull.
After the Vim company disbanded, Babe Hardy worked with Charlie Chaplin imitator Billy West at King Bee Comedies.
This brought Hardy together with future Hal Roach Studios headliner and director/writer Charley Chase.
As an all-purpose heavy, to some degree the Eric Campbell equivalent at Vitagraph Pictures, Hardy co-starred in numerous 2-reelers and a few feature films.
Most starred the ultra-wacky Larry Semon (1889-1928) and even more over-the-top former Fred Karno comic Jimmy Aubrey.
Hardy appears as a key cast member in numerous films headlined by Larry Semon, who specialized in larger than life comedies featuring epic, spectacular sight gags. Larry's comedy in some respects was a predecessor of the super-cartoony slapstick of The Three Stooges and the kind of humor that turned up 40 years later in such attempts to rekindle the extravagant visual comedy approach as Blake Edwards' The Great Race and the films of Jerry Lewis (some of which were directed by Norman Taurog, who worked with Larry Semon).
Once at the Hal Roach Studios, Oliver Hardy had memorable turns as a supporting player in such Charley Chase comedies as Isn't Life Terrible and Fluttering Hearts.
The vintage comedy fans at Way Too Damn Lazy To Write A Blog enthusiastically extol a new addition to the restorers and celebrators of classic movies and silent comedy rarities, Split Reel.
The ace film historians at Split Reel have been doing a superlative job excavating the silent comedy universe's numerous nooks and crannies. These include Rob Stone, author of Laurel Or Hardy and stalwart preservationist from the Library Of Congress. There are both Blu-rays and books available on the Split Reel website, including tomes by silent film experts Rob Farr, Thomas Reeder and Steve Massa.
As well as the following compilations of L&H silents.
We tip our battered brown derbies to Babe and note that nearly 100 years after their first teaming at Hal Roach Studios, Laurel & Hardy emphatically and spectacularly deliver the laughs!
This year's National Silent Movie Day is on Monday, September 29.
Indeed, the looming end of fall and unwelcome beginning of winter means National Silent Movie Day. The following promo's misinformation - my responses include what do you mean silent movie overacting? ever seen Buster Keaton or Lloyd Hamilton? have you heard of Mr. and Mrs. Sidney Drew? WTF? - and what sounds like a bogus AI narrator leaves a great deal to be desired, but at least this video tepidly expresses enthusiasm for silent films.
So, on this truly saturnine Saturday in godawful 2025, let's jump the gun and celebrate National Silent Movie Day with cool classic comedies!
As we're suckers for comedy films at Way Too Damn Lazy To Write A Blog, only always, here's yet another favorite movie comedian, the aforementioned and original Lloyd "Ham" Hamilton!
We go for Buster Keaton as enthusiastically as sci-fi aficionados go for Star Trek and Star Wars!
Charley Chase is a perennial favorite.
The recent release of Chase's 1927 silents on Blu-ray is a comedy treasure trove.
And then there's Laurel & Hardy. . .
Our favorite of all movie comedy teams!
Stan and Babe will soon be on a much awaited Blu-ray, Laurel & Hardy, Year Three: The Newly Restored 1929 Silents.
And then there's our favorite comedienne of silents and early talkies, the winsome, witty and frequently hilarious Marion Davies. She did amazing, hilarious work in silents - how William Randolph Hearst didn't comprehend that Marion was a gifted comedienne, we'll never know.
We love When Knighthood Was In Flower, Show People and The Patsy!
Of course, we also love cartoons and there were some terrific silents, well before Disney's emergence in 1925-1927.
We especially enjoy Earl Hurd's Bobby Bumps series.
Earl Hurd's animation of Bobby Bumps was way ahead of the curve in the World War I era.
As always, we're suckers for the Fleischer Studio, Out Of The Inkwell and the subsequent Inkwell Imps!
With an enthusiastic binge-watching of Fleischer cartoons and a shout-out to Mr. Chaplin in the following clip, we say Happy National Silent Movie Day two days early!
For further celebration of National Silent Movie Day, we shall check out what Fritzi Kramer at Movies Silently will be posting; she has been doing outstanding work for many years now, as has Lea Stans at Silent-ology.
Don’t know what Imogen Sara Smith is working on these days; might be upcoming books on silents, might be a deep dive into pre-Code cinema or articles for NOIR CITY magazine. She ranks high atop the list of the best of the best film historians and remains the only author to wrote about both Charley Chase and Charley Bowers.
Another terrific author and film historian, Ben Model, has an excellent new book, The Silent Film Universe.
We at Way Too Damn Lazy To Write A Blog are enjoying this book immensely; by all means, read it to celebrate National Silent Movie Day. Excellent work, Ben!
After almost 19 years writing Way Too Damn Lazy To Write A Blog, this is post #1400.
While, admittedly and embarrassingly, I deleted at least two or three posts due to laughably egregious errors, shall proclaim this Way Too Damn Lazy To Write A Blog entry to officially be the 14 hundredth! Yay!
How does the blogmeister feel about writing post #1400? Feel like Virginia O'Brien, the deadpan diva, in this great song from PANAMA HATTIE, which should begin with her slapping overbearing Red Skelton across his overacting kisser (and, bear in mind, we like him as Red Skeleton in the Tex Avery MGM cartoon WHO KILLED WHO).
So this blog shall celebrate post #1400 without bubbly (thanks T2 diabetes, ya rat bastard). We'll start with some supercharged improvisational proto-metal British rock from Deep Purple, live in Belgium. Yes, indeedy, Ritchie Blackmore, Jon Lord and Ian Paice had chops.
How will we celebrate the silver screen stuff we love, while also kicking ourselves for missing the 80th anniversary of the execution of Benito Mussolini and Clara Petacci on April 28. With a respectful nod to the enduring classic movie genre that broke big time during World War II, film noir.
The Burt Lancaster starring vehicle Brute Force is an inspired cross between Jimmy Cagney style caper thriller and film noir.
Nearly eight decades after noir's heydey, celluloid heroes Humphrey Bogart and Gloria Grahame still bring the heat.
Don't recall any other noirs featuring larger-than-life Charles Laughton (except the harrowing tale of evil he directed, Night Of The Hunter), but the following classic, THE BIG CLOCK, is a chiaroscuro dilly and post 1400 worthy.
Prominent in the "silver screen stuff we love" category is silent era comedy. Here are several all-time favorites from all-time favorite silent movie comedians, starting with Buster Keaton in ONE WEEK.
Next up: vintage musical short subjects from way back when Sammy Davis, Jr. thrilled vaudeville as a ridiculously talented child entertainer and Frank Sinatra was studying the phrasing of Bing Crosby and Russ Colombo. Especially love those pre-Code musical short subjects, especially Vitaphone's Melody Masters series.
Here, in the 1932 Vitaphone musical classic, The Yacht Party, the mindblowingly limber Melissa Mason does her best terpsichorean triple-jointed impersonation of the even more mindblowingly limber and quadruple-jointed comedienne Charlotte Greenwood. All we can say is "go, Melissa, go!"
The following Vitaphone 1-reelers present absolutely amazing and talent-filled mini musicals, the glaring preponderance of 1920's and early 1930's style racial stereotype bits notwithstanding. That's The Spirit stars the comedy team of Flournoy Miller & Mantan Moreland (yes, that guy, Sidney Toler's sidekick in Charlie Chan flicks), The Washboard Serenaders, powerhouse singer/tapdancer/actress Cora La Redd and Noble Sissle's red-hot swing band.
Alas, as there was still a color line, big time, in 1932, Cora La Redd, who would have mopped up the floor with all tapdancers not named Eleanor Powell and given the Sophie Tuckers of the world a run for their money, did not subsequently get to appear, even briefly, in RKO, Paramount and MGM musicals.
Backing actress of stage and screen, vocalist and dancer Nina Mae McKinney, star of King Vidor's Hallelujah, Eubie Blake's band headlined the following 1932 Vitaphone short. The super-talented kids whose exceptional dancing brings this Vitaphone Melody Master to a rousing finish:
The Nicholas Brothers.
Another of Way Too Damn Lazy To Write A Blog's all-time favorite films is Smash Your Baggage (1932), starring Small's Paradise Entertainers. Jazz legend Roy Eldridge is in the band!
Lupe's co-star in this terrific comedy is the fast talking EPITOME of pre-Code. . . the one, the only Lee Tracy.
Also on hand: the familiar croaking voice of Eugene Palette.
Of course, the pre-Code flick we REALLY want to see is Convention City (1933).
The phrase pre-Code and the names of splendid actresses, Aline MacMahon and Ann Dvorak mean the gang here is watching this movie! And it features screen immortal Lyle Talbot, two decades before Plan 9 From Outer Space, as an oily rat bastard!
Of course, we also love pre-Code cartoons, even those Ub Iwerks Studio productions starring Willie Whopper!
Watching Iwerks Studio cartoons, must extend kudos, bravos and huzzahs to animators Grim Natwick, Shamus Culhane, Berny Wolf and music director Carl Stalling.
Also love the very pre-Code version of Tom & Jerry by New York's Van Beuren Studio.
Any Fleischer Talkartoon featuring Betty Boop, Koko and Bimbo is sure to be a winner.
Always liked this 1932 Screen Song featuring Betty Boop as a mermaid and using a certain Bert Kalmar & Harry Ruby ditty from the Marx Brothers opus Horse Feathers.
What's the best way to finish post #1400? Warner Brothers cartoons!
Way Too Damn Lazy To Write A Blog extends multiple hat tips to the directors of these cartoons, Bob Clampett and Frank "Tish Tash" Tashlin. Love those guys!
It's the sincere hope of the gang here that we shall be lucky enough to still be alive, kicking (even slowly) and blogging for post #1500 down the road.
Now how does National Name Your Poison Day relate to this blog? Well, frankly, it's as good an excuse as any to post a bunch of classic cartoons that feature inebriation, a well as clips of great movie comedians delving into that topic (at least onscreen).
One film that never fails to get me ROFL is Laurel & Hardy in BLOTTO.
In this classic 1930 short, the boys think they're brazenly putting one over on their wives by sneaking out to get smashed on bathtub booze.
The greatest cartoon involving altered states would be. . .
Of course, for this blog, National Name Your Poison Day means Prohibition-era cartoons, starting with Fleischer Studios.
Felix the Cat stars in one of the very best in that mind-bending genre. Otto Messmer and crew always deliver the goods - and producer/promoter Pat Sullivan very likely was stone drunk somewhere during the making of this cartoon.
Hands-down, this writer's favorite of all the early Harmon-Ising Merrie Melodies is YOU DON'T KNOW WHAT YOU'RE DOIN' (1931). The unabashed inebriates who heckle the cartoon's plucky protagonist, "Piggy," resemble characters from another great early Merrie Melodie, GOOPY GEER (1932).
In WISE QUACKS (1939) just one of many outstanding cartoons directed by Bob Clampett, Daffy Duck is a tad nervous about becoming a father and relieves stress by getting hammered on "corn juice." It creatively re-uses segments from the brilliant 1936 Looney Tune directed by Frank Tashlin cartoon, PORKY'S POULTRY PLANT and, as is the case with Clampett's crew, animated with a certain crazed glee. This review by the gang at Anthony's Animation Talk gets into the nuances.
Yes, even dogs get obliterated in Columbia cartoons from both the Charles Mintz and Screen Gems studios and dont ask how Rover got blitzed on local anesthetic in the following opus. If it's jokes about hallucinations and dangerous levels of inebriation you want, look no further than the work of director/gagman Sid Marcus!
Is it possible to make an entire cartoon about a cat who gets wasted on pickled herring? Yes. That might not be a good idea, but it's possible.
Are there any cartoons for National Name Your Poison Day that don't involve booze? Yes, this way-out 1938 Hugh Harman MGM cartoon, Pipe Dreams.
This "goodie goodie monkeys" opus definitely anticipates the hippie era by almost three decades, especially the scene with the simian trio taking hits off a pipe like Dennis Hopper thirty years later.
What was in that Helz Fire tobacco?
These monkeys act like they're smoking kif!
Any letters between MGM brass and Hugh Harman demanding an explanation for this cartoon must be hilarious - and we all know darn well that Harman ignored them!
Hugh Harman made some wonderful weird cartoons, including all three of the Gothic ones featuring the "goodie goodie monkeys."
In closing, noting that there is a dark side to National Name Your Poison Day, here's the late, great Robin Williams making comedy out of the painful realities of alcoholism and jumping into the flaming center of that volcano (in a definitely NSFW clip).
